A Quote by Douglas A. Martin
William Faulkner was the master of what one must do to be serious. But I don't understand why people haven't moved forward from that, why that's not where the line in the sand is that you would see from. When I think about the reception of my own writing and what seems "difficult," there is an actual precedent.
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writing is about doing something very close to the bone. It's about shocking yourself. When I write, I like to make myself cry, laugh - I like to give myself an experience. I see a lot of writing out there that's very safe. But if you're not scaring yourself, why would you think that you'd be scaring anybody else? If you're not coming to a revelation about your place in the universe, why would you think anyone else would?
You must understand the whole of life, not just one little part of it. That is why you must read, that is why you must look at the skies, that is why you must sing and dance, and write poems and suffer and understand, for all that is life.
My father was among the first of his generation to look into writers who've become part of the American lit. canon. When he wrote his master's thesis on William Faulkner in the Forties, he couldn't find anybody on the faculty at Columbia University to oversee it because they didn't read Faulkner.
When I get home and people ask me,'Hey, Hoot, why do you do it, man? What are you? Some kind of war junkie? I won't say a goddamn word. Why? They won't understand. They won't understand why we do it. They won't understand that it's about the men next to you. And that's it. That's all it is.
I talk about it a lot to my students. Musicality never came up in any of own writing education, and I can see why - we don't have the vocabulary for it. Phrasing is intuitive, and its difficult to articulate when it's on and when it's not.
There must be a reason that these bad things happen to me. I must be dysfunctional. So why would my dad leave? Why would he kill himself? Why would I be violated? And when you're 6-years-old, you can't comprehend that. But as you get much older in life, you begin to think what's wrong with me?
Why can't people live with each other in peace? Why must everything be destroyed? Why must people go hungry while surplus food elsewhere in the world rots away? Oh why must people be so crazy?
I don't think existence wants you to be serious. I have not seen a serious tree. I have not seen a serious bird. I have not seen a serious sunrise. I have not seen a serious starry night. It seems they are all laughing in their own ways, dancing in their own ways. We may not understand it, but there is a subtle feeling that the whole existence is a celebration.
People are not used to seeing skiing on water, so I can understand why they think it is fake. That's why we started using outside views: so people can see that's its real.
When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir.
If Romney explains why where we are with Obama is unacceptable, why whither we are tending is even worse - and why his own alternative path forward is superior - then we trust the American people to make the right choice in November.
Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand.
Hopefully, when people see 'Senna', they will understand why this inspirational story needed to be told, why it had to be made as a movie for the big screen, and why it is a film for everyone.
When I find too many puzzles about the way explanations are given about why there is inequality - why people who work the hardest in the world end up being the poorest - I can't just sit back and not try to understand why the gaps between people are increasing, or why there are so many homeless and hungry people in the world.
When I think about why I would be a writer, why I should continue to be a writer, it seems to me one of the few things you can dowhere you're never bored.
We want Ollie to go to all the different events and see Republicans and see Bernie Sanders and just kind of experience it and be able to make up his own mind for what he wants, none of his friends know anything about politics. Granted, they're only 9, they don't vote for a while. They just completely don't understand why are all these people coming to New Hampshire, why this is so important.
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