A Quote by Douglas Adams

It can be very dangerous to see things from somebody else's point of view without the proper training. — © Douglas Adams
It can be very dangerous to see things from somebody else's point of view without the proper training.
You can't have force structure without proper training, without proper equipment, without proper leadership, without proper funding to conduct exercises and perform maintenance.
I have nine years of scholastic actor training, and what I've learned is that training does not an actor make. You have to have an artful way of looking at things. You have to have a certain point of view. And you get that point of view through experience.
As soon as anybody puts anything on film, it automatically has a point of view, and it's somebody else's point of view, and it's impossible for it to be yours.
If you tailor your news viewing so that you only get one point of view, well of course you're going to think somebody else has got a different point of view, and it may be wrong.
You can have a coach for five or six years, and eventually, that coach has so little new to say. So get somebody else to give a different point of view. Somebody will see something I don't see and vice versa. You evolve with your game and your coaches.
You see, the people that have a point of view and have an opinion and have some intellect are dangerous in the film community - they're dangerous.
I swing both ways. I can see things from a kind of conservative point of view and from a more socially liberal or left-wing point of view.
I take a biocentric point of view. I look at things from the point of view of the Earth and the laws of ecology. As opposed to the anthropocentric point of view, where everything revolves around humanity.
I enjoy telling these stories that I ultimately think get a disservice on a lot of network television. I enjoy getting people to change their perspective. I enjoy pushing myself into learning and understanding things from a very different point of view. It's scary to do that. It's scary to kind of put yourself in somebody else's position.
I've made some films for the military that are teaching things like cultural awareness and leadership issues, that sort of stuff. And try to, in essence, look at what training they're doing and say, 'This is how you can improve the training from a humanistic point of view.'
Communication starts with the understanding that there is my point of view (my truth) and someone else's point of view (his truth). Rarely is there one absolute truth, so people who believe that they speak the truth are very silencing of others.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
If you have somebody who's brilliant and highly creative with a different point of view than you have, and a very different intellectual background, great things can happen.
My point of view when I make a book or I make a movie is to see the humanistic point of view. The point of view of the daily life of normal people.
When you play a character, you get to see the world through their eyes. Whether it's a fictional world or a real world, you do get to see somebody else's point of view, whether he's a good guy or a bad guy.
The great thing is the thing of being able to see things through many points of view. That's enlarging. I mean, it saves you from ultimately from the boredom of having one point of view, like being locked in a room with nothing but your own point of view, your own references.
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