A Quote by Douglas Adams

He was constantly reminded of how startlingly different a place the world was when viewed from a point only three feet to the left. — © Douglas Adams
He was constantly reminded of how startlingly different a place the world was when viewed from a point only three feet to the left.
I used to have six left feet. Now I only have one and a half left feet.
The point I would make is that the novelist and the historian are seeking the same thing: the truth – not a different truth: the same truth – only they reach it, or try to reach it, by different routes. Whether the event took place in a world now gone to dust, preserved by documents and evaluated by scholarship, or in the imagination, preserved by memory and distilled by the creative process, they both want to tell us how it was: to re-create it, by their separate methods, and make it live again in the world around them.
In this world, time has three dimensions, like space. Just as an object may move in three perpendicular directions, corresponding to horizontal, vertical, and longitudinal, so an object may participate in three perpendicular futures. Each future moves in a different direction of time. Each future is real. At every point of decision, the world splits into three worlds, each with the same people, but different fates for those people. In time, there are an infinity of worlds.
When it's been a long day of climbing, and I feel like I can't go any farther, I concentrate on the next three feet. And then the next three feet; and then the next three feet. Pretty soon, I'm at the top.
I think as English people, we don't want to be reminded that at one point we ruled three-quarters of the globe, and now we're a very small country that doesn't own three-quarters of the globe.
I've been thinking about you constantly since I left, wondering why the journey I'm on seemed to have led through you. I know my journey's not over yet, and that life is a winding path, but I can only hope it somehow circles back to the place I belong. That's how I think of it now. I belong with you.
I left Jamaica for a while, because as an artist I need to experience different things, see the world, have different energies. Living in one place is not good for me.
In the hands of the ego, marriage is a prison. It is exclusive. It is a place where people are constantly reminded of their failures and limited by the energies of another person. It is rife with judgment and blame.
I remember [Patrick J. Adams] being in a particularly disillusioned place and really wanting your ambitions to be met with opportunity and not feeling like they were. It's all the more reason that I feel grateful to be able to stay connected and be in each other's lives. Obviously now you're in a very different place, and it's really nice to be able to look back on that and be reminded of how far we've come, at least in the opportunity aspect. The mental state aspect of it is a different story, I'm sure, but I always knew you would work.
My joke is that three black people watch 'The Daily Show' at any given time. So if I'm watching it, that counts, and there's only two left. It's a silly joke, but you know, different types of comedy reach different cultures.
I knew that the world around you is only uninteresting if you can't see what is really going on. The place you come from is always the most exotic place you'll ever encounter because it is the only place where you recognise how many secrets and mysteries there are in people's lives
This is what happened when one left one's home - pieces of oneself scattered all over the world, no one place ever completely satisfied, always a nostalgia for the place left behind.
Ring Kuot, a 15-year-old Sudanese boy, was rumored to be eight feet three. And until Leonid's emergence at eight feet four inches last spring, people generally assumed that Radhouane Charbib of Tunisia, at seven feet nine, was the tallest documented man in the world.
Robin [Williams] was a world treasure. As we mourn his tragic death, we must remember him for the great waves of laughter that he was able to illicit from us, how his humor and insights - though they came from a place of pain and uncertainty - connected us and reminded us of how flawed and fragile...how human we are. How we are capable of moments of inspired transcendence and others of unspeakable despair.
On the surface, Wonder Boys seemed like such a departure from L.A. Confidential - it's funny, it's contemporary, and so on - and yet at a certain point, I had a feeling that reminded me how I felt when I was shooting L.A. Confidential. I analyzed it for a while, and thought about how emotionally involved I was with the characters. Then I realized that in both movies, there are three main male characters and one female, and all of them are struggling to figure out what they're doing with their lives, independent of each other.
I could have killed Gregory Fitzhurst at three hundred feet with my left hand.
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