A Quote by Douglas Adams

You turn the computer into the storyteller and the player into the audience, like in the old days when the storyteller would actually respond to the audience, rather than just having the audience respond to the storyteller. I had an enormous amount of fun, actually, working on that.
Working with Robert, Robert [Elswit] is a storyteller. He's not a cinematographer, he's a storyteller. And to me, that's the graduation I hope to get to in my profession. That I'm not just an actor, I'm a storyteller. And I think that takes a long time in, when you have one job on a movie set. Makeup artists, actor, whatever. To graduate from just that to storyteller.
We need the expressive arts, the ancient scribes, the storytellers, the priests. And that's where I put myself: as a storyteller. Not necessarily a high priestess, but certainly the storyteller. And I would love to be the storyteller of the tribe.
When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
The success of the storytellers - we're only as good as what we can withhold from the audience. Aspects of surprise and letting things play out for the audience - it's so much a part of their enjoyment. It's one of the great things about working in the movies and being a great storyteller.
I'm not always successful, but I take my job as a storyteller very seriously and want to make sure the audience has as much fun watching it as I am creating it.
Now, the relationship the storyteller has with the audience is a much higher quality relationship. You treat them with a lot more intelligence because the truth is that it's not my fault if you don't know what's going on. There are plenty of ways for you to find out. You can talk to all kinds of people, and you've got access to all this information. The onus is no longer on us, as a storyteller, to tell you. You can go out and find out yourself.
Telling your story is transformative. For both the storyteller and their audience, a new bridge to understanding is created.
I have never forgotten the almost mystical power over an audience a storyteller has, when the story is deep and links you.
In writing, the connection between storyteller and audience is just as important. By using some subtle devices, a narrator can reach out to the reader and say, 'We’re in this together.'
When I read a script I respond to it like an audience member. At the end of the film, if I'm there in the audience's mind, I have done my job.
If you test Iron Man and that audience doesn't respond well, you can be damn sure that there is something wrong with the movie that you have to address. Because they're expecting a certain amount of action, right? They want a hero. There are certain things that have to be compatible with the way the audience is thinking about it. If you take some other film, like No Country for Old Men, you can end up with all kinds of crazy reactions.
I think of myself in the oral tradition-as a troubadour, a village tale-teller, the man in the shadows of the campfire. That's the way I'd like to be remembered- as a storyteller. A good storyteller.
Why fight technology at all? The audience is always going to tell you what they like best. And you, as a storyteller, as a communicator, are going to be required to adjust to that.
On a practical level I'm a TV producer and storyteller who's gone about as long as you can go without achieving a mass audience.
It is the storyteller who makes us what we are, who creates history. The storyteller creates the memory that the survivors must have - otherwise their surviving would have no meaning.
No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
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