I wanted to be a writer-performer like the Pythons. In fact, I wanted to be John Cleese, and it took me some time to realise that the job was, in fact, taken.
I wanted to be John Cleese. It took me some time to realise that the job was taken.
I felt that there could be some anger. There could be some frustration that he has the tendency to take over the room, but I wanted all of those things to show in the grays of her hair and the fact that her hips are much wider than they probably were when she met him. I wanted it to show in the fact that her hair is not done up all the time. I wanted it to be a part of that every day that wasn't in your face. Because then for me, that's overacting. To me, that's not "being." I wanted Rose [in "Fences"] to be many things.
It took me so long to get to the music, where that was what I wanted to do all my life. It took me so long to realise that it wasn't really movies that I wanted to do, but to be on stage singing.
I had it in my head when I was in college that I wanted to be a writer, but it took me a long time to commit to being a writer. Up until then, I had worked one dead-end job after another while writing on the side.
As an actor and as a performer, I'm very much aware of the fact that my job is to change both physically and emotionally and that was what hurt the most - the fact that people were judging me based on nothing.
I never wanted to make a graphic novel. As soon as you become a 'writer,' you have to be intelligent all the time... I like the fact that I have the right once in a while to say silly things.
I wanted music to be a career. To base everything on fame to me seemed a dangerous thing - I wanted my foundations to be about improving as a performer and writer. No one could push me into going down that route of being a celebrity singer.
I believed in the Catholic position, the Catholic view of ethics and aesthetics, for a long time. But I wanted something not intellectual, some conviction not mental - in fact I wanted faith.
I think it was in Moscow last year and I got changed for training the day before we played Moscow, but the fact is they actually wanted to do John's, me and John were next to each other and they did mine by mistake. John had done them I think. So yeah it is true.
I never wanted to be a literary writer. I wanted to be an entertainer. All I wanted was to give what a lot of writers had given me: a good time on a bad day.
It was a very strange, disappointing race in that no one wanted to take it out. That's why I took the lead. I wanted some people to run the real distance and that was frustrating. So I took the pace around the second lap, which in some ways is suicidal...but I wanted the pace to be honest.
I walked out of the show business in 1968 because I thought that would be good for the family. It took me some time to decide but I wanted to spend more time with my wife and two daughters who were always beside me. I wanted to do everything I could for them.
Well, probably the best way to put it might be that at some time, not just in an instant, but over some period of time I became aware of the fact that I wanted to document examples like Kroger or Piggly Wiggly in the late '50s, early '60s.
John Cleese once told me he'd do anything for money. So I offered him a pound to shut up, and he took it.
I never rushed the fact that I wanted to be in the NBA or rushed the fact, you know, they asked me about the NBA. I always (unintelligible) back to the fact that I just love playing with my teammates.
Before acting, I wanted to become a journalist. I also toyed with the idea of being a chef - but that's only when people asked me what I wanted to be. In fact, I always used to say I wanted to be an actor, but I didn't ever believe that I was good enough to be come one.