A Quote by Douglas Booth

The script's always important, but there are some things that have come out in the past year that, when we read them, everyone was like, "Oh my god, this is going to be the next best thing!" Then the movie falls completely flat on its face.
People always say, "What do you want to do next, what kind of movie do you want to do next?" And I say, "I wanna do whatever script that is the best one that comes my way." I certainly would never say, "Oh, I'm gonna do a Western next," and sit around waitin' for a Western to come along when there's some other genre's brilliant script sitting right there.
At one point in time in my career, it was like, 'Oh, he never finishes nobody.' Then, the next thing you know, I'm breaking peoples' arms, making them tap out, and knocking them out. Then, the next thing you know, it's, 'Oh, I don't like his personality.' It's like, 'Okay, well, if you don't like who I am, I can't help you there, buddy.'
I'll decide to do a movie and then go oh, like "Twilight" fans are probably going to react to this or whatever. But that's always an afterthought. Like I don't plan things out based on other people's opinions of how like I think they're going to receive them. I do it like for the experience.
As we were negotiating, I didn't have a script. Once the deal is closed, they let you read the script. So, I got the script and was reading it like, "Oh, please be good!," because I'd already signed on the dotted line. And I read it and just went, "Okay, I'm going to be okay. Thank god!" It was a really funny, moving story.
I read the script for 'Somnia' when I was filming 'Oculus,' and I remember calling my manager going, 'I really need to do this movie,' and he's like, 'How about you finish this one first and then you see it?' I was like, 'I don't need to. I don't need to. You need to read this. I need to do this movie. The script is very good.'
When I auditioned for 'Pitch Perfect,' I didn't know it was a singing movie. I didn't read the script. I go to the audition, and I'm like, 'Oh, it's a baseball movie.' But then I'm reading the lines, and I'm like, 'This doesn't seem like a baseball movie.'
Sometimes what happens I think is that actors finish a movie and they go, oh my god, I'm never going to work again, even big huge actors, and so they'll take something thinking that something else will never come along. But for me, I freak out - because I'm a bit of a workaholic - the second I finish a movie going oh my god, what am I going to do, but I can start writing the next day so it doesn't force me to make a bad choice acting-wise.
Some years I'm the coolest thing that ever happened, and then the next year everyone's so over me, and I'm just so past my sell date.
It's important to read as much as you can because you never know when you will find the best script that you want to do next. I'm always quite picky in what I read and what I go for.
I have great respect for the past. If you don't know where you've come from, you don't know where you're going. I have respect for the past, but I'm a person of the moment. I'm here, and I do my best to be completely centered at the place I'm at, then I go forward to the next place.
There is God, and it doesn't matter who you are or what you are doing, there is God in this world, and there's a lot of love for everyone, and it doesn't matter where you are from, the important thing for me when I read The Shack script - the thing that Jesus is, he is a friend.
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
I didn't even think about it when I read the script and then shooting their movie and someone was like "boy, press is going to be fun". And I didn't really know what they were talking about because to me it's just a film shows it as an extremely viable option which is obviously the most important thing for young individuals.
If the movie is good then great, but if it's not then God, I feel so bad for that person with their face fifty feet tall, all blown up. Some people would be happy with that, that as long as their face was out there they're stoked about it. I'm not like that.
And I'm going to work as hard as I can... for cancer research and hopefully, maybe, we'll have some cures and some breakthroughs. I'd like to think I'm going to fight my brains out to be back here again next year for the Arthur Ashe recipient. I want to give it next year!
When I initially read the script, it goes inside and comes out different things even without commenting on any stuff. And then, those pieces are taken out and then spread out through the movie.
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