A Quote by Douglas Booth
If you don't practice for three days, everyone will notice." It's something you have to really maintain. So unfortunately, I don't play it that often but I may take it up again. If you don't play for a while, you just can't hit the notes. It's like going to the gym. If you go and do weights, you can lift x amount of weight and if you don't go for ages, you've gotta start again and start from the beginning. So it's a bit like that. It's just a muscle.
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I really tried to play more intensely in practice and not play like maybe two, three hours just like that. I just go to court and spend a lot of hours as well on gym, or just make a lot of sprints and movement.
Bourbon Street is like playing, a tourist, you know? It's just a tourist attraction ... those musicians on Bourbon Street, they play all day. They might start at 12 noon and end at 3 in the morning, like, it's like sets, like a job. You go play, take a break, play again, take a break, then later on that night, the club gets busier, then you play some more. There's pride. They're a group of great musicians- and they're holding it down.
At the end of whatever we're doing, I always feel like I want to go back and start over again because now I have a better sense of what it is. I feel that with everything. Like, if you're doing like a long run of a play and you're doing it seven shows a week, at the end of it, I want to go back and start from the beginning.
Every time you start a new job, you're starting from the beginning again and it's terrifying. And you feel like you're going to be fired and told to go home and never to darken the doors of these people ever again.
We learned that, when people are looking around, waiting for you to decide on what to do next, it's often best to just say, 'hey, let's go again' - people start setting up, then you have enough time to discuss, if it doesn't go well on take 2, what the strategy is for take 3.
When you first start writing-and I think it's true for a lot of beginning writers-you're scared to death that if you don't get that sentence right that minute it's never going to show up again. And it isn't. But it doesn't matter-another one will, and it'll probably be better. And I don't mind writing badly for a couple of days because I know I can fix it-and fix it again and again and again, and it will be better.
I skate six days a week, three sessions a day, and I go to the gym three times a week. I lift weights, do some ab work and whatever my trainer tells me to do. I take Saturdays off.
We just bought a new house, so my wife's been doing all the moving and other stuff, so I would like to go home and just sit and enjoy all that for a couple months before I gotta start playing again
We just bought a new house, so my wife's been doing all the moving and other stuff, so I would like to go home and just sit and enjoy all that for a couple months before I gotta start playing again.
My booking agent, of course, here and overseas, their tendency is to want to build on a certain kind of measurable success, and I was thinking yesterday, what I'd like to do is maybe start to compile a list of the best 200 to 500 capacity rooms around the world and just start going to them again and again and again.
I always go heavy and I always go to failure. Even when I tell myself I'm gonna go easy, once I get to the gym and start working, I never end up going easy. I hate leaving the floor feeling like I could have done more weight or more reps. I just love working out and going further than I ever did before.
When I was a kid, I used to try and hit every ball out of the ground. After playing one-day cricket and Test cricket, I never thought I'd get a chance to play like that again, ever. Twenty20 has given me the opportunity of playing like a kid again. I can just feel free and go out there and hit.
When you start to treat the light weights like heavy weights, the heavy weights will go up a lot easier.
The best thing I ever did was when I was offered a million dollars to go play in South Africa and didn't take it. I was 21 years old, and part of it was like, 'Well, if they're offering me this obscene amount of money just to play one match, there must be something really wrong.'
I buried myself so much in the classics that I felt, "Well now, I've played all the big parts, whether badly or goodly, I don't give a damn, but at least I've played them all. Now, let's start again. Let's start the whole career again." And it makes you feel like you're beginning again, it really does.
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
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