A Quote by Douglas Booth
Going over to Lesvos in Greece and meeting some of these poor refugees who have just made the treacherous sea crossing opened my eyes in a way I can't even being to describe. It's put a fire in my belly to really try to do something, the little I can do.
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September 11 definitely opened our eyes, but when I was 19 or whatever on the last record, we just didn't care about anything. We were too young to care about anything. And then as you get older, you don't really have any excuse to be stupid anymore, to be in the dark. That just kind of opened everyone's eyes (which I probably wish it did to more people) that there's obviously something wrong, to try and figure out what it is and what's going on in the world.
There's just something about being a young, working class, working poor, person of color in New York City in the 80's that needs to be understood by people outside of that experience. The way I put it is that we created something really amazing, hip hop, when we weren't even supposed to survive.
Being diagnosed with cancer really opened my eyes to the fact anyone can have it and that even though we think we have control over everything in our lives, we don't.
The light of Greece opened my eyes, penetrated my pores, expanded my whole being.
You can't ask the guy with the checkbook to always be the person. So, we actors have to try. And believe me, it's not just young people who are struggling with this, trying to get things of substance made because of the proliferation of technology that it's just harder and harder to get things that really matter made. But they are being done and you just have to fight the good fight and try to... if you have something that you have written, you have to do your best to try to get it made in whatever way you can.
Students who have attended my [medical] lectures may remember that I try not only to teach them what we know, but also to realise how little this is: in every direction we seem to travel but a very short way before we are brought to a stop; our eyes are opened to see that our path is beset with doubts, and that even our best-made knowledge comes but too soon to an end.
Going to Europe as a budding cook opened my eyes to food in a different way. When I got to Italy, the first thing I did was put my little basil plants in the ground and watch them turn into big, healthy bushes.
Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vexed, a sea nourished with loving tears. What is it else? A madness most discreet, A choking gall, and a preserving sweet. *Here’s what love is: a smoke made out of lovers' sighs. When the smoke clears, love is a fire burning in your lover’s eyes. If you frustrate love, you get an ocean made out of lovers' tears. What else is love? It’s a wise form of madness. It’s a sweet lozenge that you choke on.*
I'm really critical of my posture, it makes a big difference. And I try to suck my belly in. Everyone should do that whether you're on a red carpet or not. Even if you're just going out to dinner with your boyfriend you should try and suck it in.
I think just having a gift and being able to do something creative and having people like it and enjoy it... I'm in a really, really cool place here. A lot of people try to do this and might get a little bit of success, but we've been lucky. We're going to take that and try and go as far as we can with it and just do the best that we can.
And yet, over the years I've met so many people like Jared who seem to be more at home, happier, living in a country on of their birth. ... Not political refugees, escaping a repressing regime, nor economic refugees, crossing a border in search of a better-paying job. The are hedonic refugees, moving to a new land, a new culture, because they are happier there. Usually hedonic refugees have an ephiphany, a moment of great clarity when they realize, beyond a doubt, that they were born in the wrong country.
There's something that I can't describe about the city [Portland] that I really love - just physically - how it feels to walk around there, and have coffee there. Also, the way that it's a little overcast sometimes. Something about Portland just really resonated with me.
I don't try to make one thing. I really try to experiment, even if its just the vocals or the beat. I can't really describe my sound.
If the door has been opened and I've been invited, or if I'm not invited and I somehow know I'm supposed to go in there, I put myself together and go in, praying all the while. I try to learn something before I go in. I try to show some respect of the place I'm going into.
The thing I get out of it is the connection. I remember going to shows as a kid and meeting eyes with the people in the band, and knowing they are meeting eyes with you, and that moment, that smile, and that's your moment. I want to create millions of little moments for other people.
Some friends of mine in the class ahead of me in college were auditioning for graduate school in New York, and then a few of them got into Juilliard, and it sort of opened my eyes. I didn't really know anything about it, but it opened my eyes to a possible next step after school, where I could just deepen my knowledge and also not be responsible for life and stay in school.
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