A Quote by Douglas Booth

I knew I wanted to do something creative. I am dyslexic, so I really struggled in school. I knew I was never going to sit behind a desk or do something involving numbers.
There was a sergeant at a desk. I knew he was a sergeant because I recognized the marks on his uniform, and I knew it was a desk because it's always a desk. There's always someone at a desk, except when it's a table that functions as a desk. You sit behind a desk, and everyone knows you're supposed to be there, and that you're doing something that involves your brain. It's an odd, special kind of importance. I think everyone should get a desk; you can sit behind it when you feel like you don't matter.
I have two wonderful, supportive and very practical parents who were like, you're really talented and really creative. You should be a lawyer because there's a safe path there. And I knew that I was never going to be a lawyer. And I knew that I wanted to make movies, and I wanted to write shows.
I guess as a kid, I was always creative, and I was involved in music, like piano and violin and choir, so I always knew - I always knew that I wanted to do something that would allow me to be who I am. Generally, that was creatively, imaginatively.
To be taken seriously about doing something creative and probably travel a lot. That was my motivation. I knew I was good, I knew I could write. I also knew you could get laid really easily.
Yes it was chaos, working through chaos, you never quite knew what you were going to do each day, but you knew that you wanted to make something.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
I've always been very ambitious, and I always knew that I wanted something else. Cuba was a good start, but I knew I wasn't going to develop a real career, and I wanted to get closer to filmmakers that I wanted to work with.
When I was done with high school, I knew that music was really important to me and I knew I didn't want to be a cellist, but I wasn't really sure if I wanted to be a composer, or think about - I was just interested in the ideas behind music, I was interested in mathematics.
I knew my ways were unfulfilling. I chased power, pleasure, possessions, something satisfying. I knew I kept getting let down. I knew it was insanity, and I was never going to find fulfillment, but I didn't know what else to look for.
I knew I wanted to do something creative. I didn't think I'd have the luxury of doing something like that, because I didn't know anyone who had pursued anything they really adored, but I had dreams for singing or writing.
I knew I wanted to do something creative, and you don't necessarily go to Harvard to do that. It's not the best choice for creative writing.
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
The real guys that I knew were really cool people, who I played basketball with and traveled with on teams and knew their families and knew that they love their family. They just happen to do something that wasn't all the way legal, but it was a part of their life, and you knew that they hustled.
I knew that I wanted to live in a city, but had never really been to New York. But I was begging my parents as a kid to move to New York, so it was just something that I sort of knew from a young age.
I always knew that I wanted to be creative, that I wanted to create something
I always knew that I wanted to be creative, that I wanted to create something.
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