A Quote by Douglas Booth

As a kid, I used to run around our garden waving a stick and pretending to be a million different people. That's why I became an actor, really. — © Douglas Booth
As a kid, I used to run around our garden waving a stick and pretending to be a million different people. That's why I became an actor, really.
It was like my part-time job as a kid to be an adventurer... in my head. I used to sword-fight in the garden and in the park - with my Nan, of all people, with my Nan who can barely walk! I used to make her run around, and I'd go around destroying these trees and cones and stuff.
As a kid, you run around the house pretending to be a superhero, and now to be doing it as a job, I feel very lucky.
My father wasn't around when I was a kid, and I used to always say, 'Why me? Why don't I have a father? Why isn't he around? Why did he leave my mother?' But as I got older I looked deeper and thought, 'I don't know what my father was going through, but if he was around all the time, would I be who I am today?'
When I was a kid, I used to pretend I was Han Solo all the time. Running around with my fingers pretending they were a blaster.
I think ever since I was a kid I knew subconsciously that I wanted to be an actor. I would walk around the house pretending I was somewhere else.
It was the reason why I became an actor - to tell new stories - and I stick to that, which is how I found 'Ghazi.'
Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations.
Remember when Japan was cool? We used to run around with 'Mr. Roboto' on our Walkmans, 'The Karate Kid' in our Betamaxes and wore T-shirts embossed with the characters for 'storm sewer' and 'dishwasher.'
If you know what it is before you even start, it's not as interesting. Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations. I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is. I have to worry less about what the character means if I trust the director.
When I was a kid, I used to pretend to be Bond; I used to make up scenarios and irritate my sister and annoy my mother and father pretending to be someone else, so I kind of was already acting when I was a child. I just didn't really know it.
When I was a kid, the people that used to push other people around, if someone whacked them, then they wouldn't be pushing people around again. But you can't really do that with adults.
My mother used to say when we were children, 'When a boy gets a stick in his hand, his brains run out the other end of it.' Power is a stick in the hand, and I have never heard of anybody who wielded a very big stick of power whose brains did not run out the other end. As a nation, our brains are running out the other end of our power right now.
Why would you want to stand there waving a stick when you could be playing an instrument?
When I have a kid, I want to buy one of those strollers for twins. Then put the kid in and run around, looking frantic. When he gets older, I'd tell him he used to have a brother, but he didn't obey.
We moved around a lot when I was growing up. I was always the new kid in class, but I was good at making friends. With an upbringing like that, I was either going to become an actor or a politician. Thank God I became an actor! I'm not cut out for politics.
I've always been hopeless at everything when I was a kid. That's why I became an actor - 'cause I couldn't do anything else.
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