A Quote by Douglas Booth

I've never been aware of the difference between so-called posh actors and working-class actors. — © Douglas Booth
I've never been aware of the difference between so-called posh actors and working-class actors.
When I started in the profession, there were very visible actors who were Scottish, Welsh, or regional. Lots of working-class-hero leading actors; it was not fashionable to sound posh. Now, I'm middle-aged; it's fashionable to sound posh if you are the generation behind me.
I think that, often, actors represent what they're not. You get people who define the aristocracy who are not aristocratic - they're lower-middle class or working class. An awful lot of your so-called angry young actors have grown up in extreme bourgeois comfort. It really is surprisingly common.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
While you can be trained and groomed to be a better actor, seasoning happens only to TV actors. TV actors shoot every day, and that makes a difference to the project. They are hard-working, but that's not taking anything away from the film actors.
Undoubtedly there is a difference between people with money having access to the arts that people from working-class backgrounds don't have, but that's not their fault. I'm not taking anything away from these brilliant actors who are doing great stuff in Hollywood. A lot of them are my friends.
There's not a lot of talking between actors - either between actors or between actors and directors. People think that they sit in rooms and talk about psychology and motivations. I don't think that happens much.
Before Disney, I did other shows so I was aware of the business. They're all the same in that they're a professional environment. The only difference between a Disney show and other network shows are in the age of the actors you're working with and the age of the intended audience.
There are lots of actors who are posh and stick with that, and there are lots of actors who are cockney, and that's what they do. That's fine, but I don't think that could be said about me.
AMC has a track record for finding actors who have been working actors but not names yet and casting them.
When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
I’ve never agreed with the conventional wisdom that ‘actors are great liars.’ If more people understood the acting process, the goals of good actors, the conventional wisdom would be ‘actors are terrible liars,’ because only bad actors lie on the job. The good ones hate fakery and avoid manufactured emotion at all costs. Any script is enough of a lie anyway. (What experience does any actor have with flying a spacecraft? Killing someone?) What’s called for, what actors are hired for, is to bring reality to the arbitrary.
To go into more specifics regarding actors, whether they're from Korea or the U.S., all actors know if they are loved by the director. When they feel that love from the director, they respond by giving a great performance on camera. Also, everyone on set - the crew, the actors - they were aware of the film's message and its broad theme, so these big issues were never discussed on set.
If you grow up poor you're always going to worry about money, no matter how successful or lucky you become. I'm not moaning about what actors get paid - I'm very, very lucky - but the difference between what leading actors get paid and supporting actors get is a lot.
There's posh character actors. For God's sake, Olivier was one of the greatest character actors in the world. Hamlet, Shylock, Othello - Othello! Whether you like it or not.
I believe you can never stop growing and learning and I've been very fortunate to have been working since I was 10 or 11-years-old. I have learned so much throughout the years working with amazing directors and great actors as well. This was really a huge step for me because it's very different from anything that I've done before but I think the biggest difference here is that the cast we were surrounded by in this movie was unbelievable.
There are a lot of actors in the world, there's a small number that actually get to work as actors, and there is a tiny group of actors that are celebrated in the way that I have been. I feel incredibly lucky.
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