A Quote by Douglas Booth

I only want to work with interesting filmmakers. — © Douglas Booth
I only want to work with interesting filmmakers.

Quote Topics

I just want to work with good filmmakers and do good projects that mean something to me and play interesting characters. That's really it.
My biggest inspiration is to work with interesting filmmakers and learn from them in any way that I can.
That's what I want to continue to do: really odd films, with interesting filmmakers.
I had been getting queries from regional filmmakers to do a movie based on my work. But I did not want my work and mission - to create awareness on menstrual hygiene - to be restricted to only a part of the country. In fact, I wanted to do the movie in Hollywood.
I look at some of my work and say, "Oh, that's where I can be better." I want to continue to grow and do things that do scare me. I want to work with filmmakers who will help me go deeper in my work.
The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
I'm trying to keep a good record and do interesting movies with interesting filmmakers.
I want to work with filmmakers who are really smart.
I want to keep doing interesting work with interesting people in whatever form that may take, but I want to play the big parts of classical theatre; I want to go on stage and play great Shakespearean roles and, at the same time, do amazing, challenging indie films and comedy, and I want to do it all. I am greedy.
I like to work with artists from around the world. There are so many new inspiring filmmakers. I had the privilege recently to work with Ethiopian filmmaker Zeresenay Mehari and his wife on the film Difret. They are that unique balance of very thoughtful conscious filmmakers who are also brilliant, original artists.
The things and the projects that I want to be a part of are not the ones that I get offered. I get offered a lot, but it's not what I'm interested in. So I have to fight very hard for the things that I want to do and to work with the filmmakers that I want to work with.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
Also, to get to work with serious filmmakers on this kind of a movie, has elevated these movies. We were so lucky, as actors, that the crew of directors that we've gotten to work with are totally really super high-end filmmakers. But, Bill Condon had a vision and it was so specific. He's really passionate. I think he's taken the story to another level.
We took a very interesting journey from being really extreme art house filmmakers. But we find that working in commercial filmmaking and creating a brand on that high level affords us a lot of interesting opportunities.
It's probably unprecedented for a filmmaker simply to take the writers' script and treat it as the instructions on the package. What really happens is you pretty much suppress your own instincts - and your own views on the matter - and write things the way filmmakers would like to have them, though the filmmakers often don't know what they want. They can only find out by reading what you do.
As it is, I'm happy that the tourism department has sent out word to agencies in Delhi asking them to help filmmakers whenever they want to shoot their film in the capital. At least, they are in favour of the filmmakers.
This site uses cookies to ensure you get the best experience. More info...
Got it!