A Quote by Douglas Booth
'Noah,' for me, wasn't a decision about taking on the Bible. It was about working with Darren Aronofsky.
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I love walking onto the set and the blindfold is taken off and then everything I do is fresh and in the moment. That's why I loved working with Darren Aronofsky.
It's natural to be skeptical of a story like Noah. However, the greatest miracle in the Bible is not Noah and the flood. The greatest miracle in the Bible is recorded in the first verse: "In the beginning God created the heavens and the earth." If that miracle is true, then every miracle in the Bible is at least possible (including Noah's Ark). If God created the universe, then He can do whatever He wants inside it.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios.
I want to work with Darren Aronofsky, Damien Chazelle, Alejandro Gonzalez Inarritu and, of course, Majid Majidi.
'Noah' is about a man whose mission is to obliterate Earth's past and godfather its future. Replacing the word 'God' with 'Creator' and taking other scriptural liberties, the movie risks confusing those who don't take the Bible literally and alienating those who do.
I started going to Bible school really early in life. Being raised a Jehovah's Witness, I had to read the Bible over and over. These stories were so horrifying and really difficult to reconcile. For me, Noah wasn't the story of the graham cracker box with the little animals it was horrifying. I would ask the same questions as a child. "Well, what about the little kids? What about the dogs and cats?"
'Black Swan' was absolutely unbelievable. I had always dreamed of working with Darren Aronofsky, and Natalie Portman, Winona Ryder, Barbara Hershey, Mila Kunis and Vincent Cassel. The entire cast was really a dream cast, and it was amazing to work with these powerhouse women that I've just admired for so many years.
Darren Aronofsky is on another level. You get lost in a scene, and he'll come over and whisper something in your ear, and suddenly everything makes sense.
'Noah' is an insult to Bible-believing Christians, an insult to the character of Noah and, most of all, an insult to the God of the Bible. As a result, I believe Hollywood will have a much harder time in marketing future biblically-themed movies to Christians.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.
In 'Requiem for a Dream,' the director Darren Aronofsky's adaptation of Hubert Selby Jr.'s lower-depths novel, Jared Leto has lost so much weight, he looks like another person altogether.
Three directors whose work directly influences mine are Paul Thomas Anderson, Darren Aronofsky and Susanne Bier (her Danish films). You'll notice that they all don't make feel good movies, same as me, and their films are always visually simple but beautiful (and I hope mine are!).
We can learn to ignore the bullshit in the Bible about gay people. The same way we have learned to ignore the bullshit in the Bible about shellfish, about slavery, about dinner, about farming, about menstruation, about virginity, about masturbation.
Logically, taking Scripture seriously means being passionately concerned about interpreting it correctly and thus welcoming any evidence that exposes erroneous understandings of the biblical text. Unfortunately, many zealous Bible students and teachers confuse their favorite interpretations of the Bible with the Bible itself.
Given the unprecedented ignorance of the Bible in contemporary America, it is likely that more young Americans will only know the Noah of 'Noah.' We can only hope that the film offers even a fraction of the wisdom of the original.
Seeing someone you know be good at something is really appealing. Seeing how Darren Aronofsky behaved on set, it was another aspect of him, the director. He'd never directed me at home in the kitchen before. It was just seeing a whole other aspect of someone. It was really, really exciting. I loved it.
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