A Quote by Douglas Brunt

In September of 2001, I was living in the West Village of Manhattan, working from my home for a tech start-up. — © Douglas Brunt
In September of 2001, I was living in the West Village of Manhattan, working from my home for a tech start-up.
September 11, 2001: Citizens of the U.S., besieged by terror’s sting, rose up, weeping glory, as if on eagles’ wings.--from the poem Angel of Remembrance: Candles for September 11, 2001
I couldn't follow the events of September 11 because I was proofreading a novel I'd just completed - on Islam and its quarrel with the West - that I'd promised, six months earlier, to deliver to my editor on September 12, 2001.
Consistent with section 202(d) of the National Emergencies Act, 50 U.S.C. 1622(d), I am continuing for 1 year the national emergency previously declared on September 14, 2001, in Proclamation 7463, with respect to the terrorist attacks of September 11, 2001, and the continuing and immediate threat of further attacks on the United States. Because the terrorist threat continues, the national emergency declared on September 14, 2001, and the powers and authorities adopted to deal with that emergency must continue in effect beyond September 14, 2010.
I was visiting my mother in Florida when the September 11, 2001 attacks happened. I was working on The Tale of Despereaux at that point. I had already gone into writing it with a great deal of trepidation and fear, and then this God-awful thing happens and it was really hard to even get back home to Minneapolis.
I think the important thing to remember here is that we haven't been attacked again at home since September of 2001.
These are such First World problems, but there's a certain claustrophobia to New York. You don't escape in the East Village, but it at least feels full of camaraderie and youth - or full of camaraderie and youth in an East Village that is as full of Chase banks and Starbucks as the Upper West Side, or anywhere else in Manhattan.
I trained for the marathon. I run along the East River, and I used to run all the way down Manhattan, up the West Side and back home.
In December of 2001, after September 11th, my wife, Jane Rosenthal, and Robert DeNiro asked me if I would help them create the Tribeca Film Festival. The idea was to revitalize lower Manhattan. We would show films on piers, in high schools. It was all about the community. We wanted it to be accessible to everybody.
I was born in Manhattan on West 12th. My parents were kind of hippies and they did a home birth.
On 11 September, I was living in Greenwich Village, New York; my children learned to tell south from north by looking at the World Trade Center.
I remember waking up Tuesday, September 11th, 2001, to my wife telling me to put on the TV because I wasn't going to be going into N.Y.C. as planned. Dream Theater was working in N.Y.C. at the time mixing our album 'Six Degrees of Inner Turbulence,' and I would've been driving in that afternoon for our session.
In a certain way working in animation has become very democratic because now anyone with the right technology can at least prepare a project from home in order to attract investors. Some people can even set up a small home studio and start working.
I was imprisoned in the aftermath of the 11 September 2001 attacks, when Egypt's state security was rounding people up in unprecedented numbers.
Tech is important, but if you look at even the successful tech start-ups, you see they employ only dozens of people at most. Tech is never going to have the impact on the job market that manufacturing has.
Legislation passed in the aftermath of September 11, 2001 enhanced our intelligence capabilities and strengthened our national defense, but until now our nation's immigration policies have not adapted to the needs of a post-September 11th world.
There is a direct line relationship between what happened in Afghanistan in the work up to 11 September 2001 and what we're doing in Afghanistan today.
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