A Quote by Douglas Carter Beane

If I'm seeing you, you're going to influence me. I'm sorry - I'm just that way. I'm a big sponge. You can't copyright an aesthetic. — © Douglas Carter Beane
If I'm seeing you, you're going to influence me. I'm sorry - I'm just that way. I'm a big sponge. You can't copyright an aesthetic.
As we've seen, our constitutional system requires limits on copyright as a way to assure that copyright holders do not too heavily influence the development and distribution of our culture.
It's a sponge and I'm a sponge and for a second there all our sponge parts are one and I don't just have square pants, everything about me is squarish because I'm part of a wall.
For me personally, Blink-182 has been a big influence. Just seeing them way back in the day play little shows and start from a garage band to where they are now, makes me believe anything is possible if you truly want it and commit your life to it.
If you ask me now, I think every single writer whose work I've read has had some influence upon me, and I continue to be influenced, subtly, by everything I read, like a sponge. But then, what writers aren't? Being a literary sponge is one of the prerequisites for this insanity.
You know, to me, that's going to influence the culture. They both influence each other - I know that - but, you know, there's no two ways about it. When you're just immersed in kind of this dark, edgy constant flow of entertainment, there's no way it can't affect you. There's just no way.
Certainly I'm not going to sit on the Internet all day and read what Sam from Iowa is saying about me. But I'm a sponge. I've always been a sponge.
My aesthetic is not a Disney aesthetic at all, but when I met with the wonderful producers at Disney, they weren't looking for me to do their aesthetic. I'd already spent 20 years in the theater, so if they were going to hire me, they'd be hiring me for what I have to offer.
Just let yourself be broken and humiliated. Just your whole life, keep telling people, I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry.
A natural sponge is not as funny. A square sponge also fit that squeaky-clean idea I was going for.
Under the 1998 Digital Millennium Copyright Act, Tumblr, YouTube, Reddit, WordPress, and Facebook aren't responsible for the copyright infringement of each of their millions of users, so long as they take down specific posts, videos, or images when notified by copyright holders. But copyright holders thought that wasn't good enough.
When I am introduced as someone from New Orleans, people sometimes say: "I'm so sorry." New Orleans. I'm so sorry. That's not the way it was before,not the way it's supposed to be. When people find out you're from New Orleans, they're supposed to tell you about how they got drunk there once, or fell in love there, or first heard the music there that changed their lives. At worst people would say: "I've always wanted to go there." But now, it's just: "I'm sorry." Man, that kills me. That just kills me.
With my father and uncle so involved in racing, it was the only thing I ever knew, so I'm sure that had a huge influence on me. However, my father had more influence on me just by the way he lived, because the way he was at the racetrack was the way he was in everyday life.
I need to go play the right way, listen to LeBron and be a sponge and try to soak up what he's going to tell me.
I love seeing my characters big up there and I would have liked to have reached a different public in movies from my television public. There's still a part of me that wishes that my character range could be seen on the big screen. Rather, as Rod Steiger was, because he was a big influence on me - about becoming other people and not worrying about your own glory or self esteem but sacrificing yourself to become somebody else.
I don't like to start anything, ever, but if they're going to try to intimidate me, I like to just stand there and say, 'Sorry, it ain't gonna happen.' I'm shy but I'm badass. I'm not shy in a timid way, just shy in a way that I'm not comfortable with people.
I knew that my newfound activism and feminism was going to improve my acting, because I was seeing things not just in very narrow, individual, kind of Freudian terms, but seeing them in a much broader, societal way that was going to deepen and enrich my talent.
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