A Quote by Douglas Coupland

It's around midnight. After I left Dad, my choice was to either become very drunk or write this. I chose to write this. It felt kind of now-or-never for me. — © Douglas Coupland
It's around midnight. After I left Dad, my choice was to either become very drunk or write this. I chose to write this. It felt kind of now-or-never for me.
I feel as though I never had choice not to be a writer. I feel in my heart of hearts that writing chose me and this is what I must do. I have no choice but to write, and to write, and to write, because my very life depends on it. And to assume that, of course, everyone in the entire universe wants to read what I've written.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
Some things are hard to write about. After something happens to you, you go to write it down, and either you over dramatize it, or underplay it, exaggerate the wrong parts or ignore the important ones. At any rate, you never write it quite the way you want to.
Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
You can't just make yourself matter and then die, Alaska, because now I am irretrievably different, and I'm sorry I let you go, yes, but you made the choice. You left me Perhapsless, stuck in your goddamned labyrinth. And now I don't even know if you chose the straight and fast way out, if you left me like this on purpose. And so I never knew you, did I? I can't remember, because I never knew.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
We write to understand our deepest secrets to ourselves, to understand. We write in an outpouring of love. We write in secret, either for publication or for a journal no one will see, or we write poems to be privately printed for the eyes of friends alone - this is not our choice. The urge is to create. The outcome belongs to God.
I kind of got more interested in writing after I turned in my last college essay and nobody was going to tell me what kind of academic papers to write anymore. I could write whatever I wanted, and I realized that I actually liked it when I could choose what I would write.
I was taught that poems don't end, they just kind of stop. There's never an ending to a poem; it's a continuation for later. When I write, I write for me, and I write in poetic form.
I really (became) very independent. I was start(ed) to write one-woman shows and mak(e) films and to me I think I really felt like my choice (was) more important than any kind of career goal.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now.
I write about what I'm thinking about. I write about what is bothering me or what is a political, aesthetic, or ethical issue or something, and then I figure out how to do it. I don't write essays that kind of just sustain one thought. I tend to move around because that's what I like.
I looked back at the years since I'd left college and thought of the list of things I'd have liked to do. I'd always wanted to write a book - not a small undertaking. I never felt I had the time or creative energy to spare in order to write one as well as I wanted.
If a man can only write well when drunk, I'll tell him: get drunk. And if he tells me that his liver suffers with it, I'll answer: what's your liver? It's a dead thing that lives as long as you live, and the poems you'll write will live without a as long as.
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