A Quote by Douglas Coupland

It's weird when people start sentences with 'frankly' - as if their other sentences don't count. — © Douglas Coupland
It's weird when people start sentences with 'frankly' - as if their other sentences don't count.
The most striking aspect of linguistic competence is what we may call the 'creativity of language,' that is, the speaker's ability to produce new sentences, sentences that are immediately UNDERSTOOD by other speakers although they bear no physical resemblance to sentences which are 'familiar.
These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
Just as you can practice three-word sentences or sentences that travel across time zones, so can you practice writing sentences that breathe unshakable conviction.
"True" resembles... a compliment paid to sentences that seem to be paying their way and that fit in with other sentences which are doing so.
I prefer the plain and simple sentences: the ones that you don't notice because you're so interested in what's happening to the people and events that the sentences are creating.
I got over 20 people out of prison, some with life sentences and others based on getting their sentences reduced.
Grammar is what gives sense to language .... sentences make words yield up their meaning. Sentences actively create sense in language. And the business of the study of sentences is grammar.
Mandatory minimum sentences give no discretion to judges about the amount of time that the person should receive once a guilty verdict is rendered. Harsh mandatory minimum sentences for drug offenses were passed by Congress in the 1980s as part of the war on drugs and the "get tough" movement, sentences that have helped to fuel our nation's prison boom and have also greatly aggravated racial disparities, particularly in the application of mandatory minimum sentences for crack cocaine.
I write different kinds of sentences, depending on what the book is, and what the project is. I see my work evolving. I'm writing long sentences now, something I didn't use to do. I had some kind of breakthrough, five or six years ago, in Invisible, and in Sunset Park after that. I discovered a new way to write sentences. And I find it exhilarating.
I hope that my ideas attract a lively dialogue, even if my sentences are simple. Simple sentences have always served me well. And I don't use semicolons. It's hard to read anyway, especially for high school kids. Also, I avoid irony, too. I don't like people saying one thing and meaning the other.
The rythms of typing favour short, concise sentences, sentences with oral form.
I loved and still love watching words flower into sentences and sentences blossom into stories.
I've always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
America has the longest prison sentences in the West, yet the only condition long sentences demonstrably cure is heterosexuality.
A lot of writers fall in love with their sentences or their construction of sentences, and sometimes that's great, but not everybody is Gabriel Garcia Marquez or James Joyce. A lot of people like to pretend that they are, and they wind up not giving people a good read or enlightening them.
[On George H.W. Bush:] A man who wishes to lead the Western world should be able to find the right words, string them together in coherent sentences, and steer them to an intelligible conclusion. His sentences have the stuttering start of an old car on a cold morning. They never run smoothly. The only speech part that he has mastered completely is the non sequitur.
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