A Quote by Douglas Coupland
I'm suspicious of places that look decorated. I can understand why people do it, but you see too many cushions or a piece of fabric hanging and it's, like, 'Ugh!' A good house with good art will always work, no matter what.
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My former assistant used to tell me I have a problem with cushions and she was totally right. The reason is because I'm constantly rearranging things in my house. And if I can't move a whole piece of furniture, the easiest thing to rearrange is cushions. I like to keep things fresh.
I see people who work on their look and they work on their poster and their website and you know, the music will speak for itself no matter what. So if you put maybe like 95% of your energy on music and 5% on playing out and telling people about it. That's kind of a good equation.
Your neighbors will make judgments about you based on how your lawn and house look, and people who see you passing will judge you based on how clean you keep your car. It's not always fair, but it has always been true. Appearances matter, so make yours a good one.
There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.
I don't know why I've always been uncomfortable being too feminine. If a dress has too many flowers on it, if I'm giggling too much, I'm like ugh, put some combat boots on. I love masculine women. I think it's because I'm like a fake lesbian, I don't know.
I think writers like to see how people bring their words to life, and it's always surprising. Always, no matter what, whether it's good or bad, it's always surprising because a whole human being is coming to that piece of writing.
I don't have a favorite place to see art. I like to encounter it anywhere, museum, gallery, home, studio, street... I do prefer to see good art, when I see art, but it doesn't matter where I see it.
I have killed, robbed, and injured too many white men to believe in a good peace. They are medicine, and I would eventually die a lingering death. I had rather die on the field of battle. Look at me, see if I am poor, or my people either. The whites may get me at last, as you say, but I will have good times till then. You are fools to make yourselves slaves to a piece of fat bacon, some hard-tack, and a little sugar and coffee.
If your girlfriend is saying, 'Ugh, look at my stretch marks, look at my rolls,' don't say, 'Yeah, I hate my thighs, too.' Say, 'No, you look really cute today - and I feel good, too!'
You see, the richest people I know don't always understand what is going on. They don't always like what they see. But they have a quiet confidence that God will put all things together for their good.
Californians have brought suburb-making almost to an art. Their cities and their country-side are equally suburban. No-one has a country house in California; no-one has a city house. It is good to see trees always from city windows, but it is not so good always to see houses from country windows.
For me, coming to a fashion house and bringing my love and respect to it - and, hopefully, earning the love and respect of the house - is the only way to do it. I think of it as my own house in that sense as well. So I like not working from a blank piece of paper. I like that there's something from the past, some kind of identity that I have to work with. There are these good ghosts around, these good energies that kind of reinforce what you do.
I think scrin writers like to see how people bring their words to life, and it's always surprising. Always, no matter what, whether it's good or bad, it's always surprising because a whole human being is coming to that piece of writing. And certainly there's inspiration that comes out of that.
It has always irked me as improper that there are still so many people for whom the sky is no more than a mass of random points of light. I do not see why we should recognize a house, a tree, or a flower here below and not, for example, the red Arcturus up there in the heavens as it hangs from its constellation Bootes, like a basket hanging from a balloon.
The heavens are not filled with hostility. The sky does not express a frown. When I look up I do not contemplate a face of brass, but the face of infinite good will. Yet when I was a child, many a picture has made me think of God as suspicious, inhumanly watchful, always looking round the corner to catch me at the fall. That "eye," placed in the sky of many a picture, and placed there to represent God, filled my heart with chilling fear. . . . Heaven overflows with good will toward us! Our God not only wishes good, he wills it!
I don't understand why anyone would collect my work. Please understand... it's like writing Our House. It took me an hour, it was 30 years ago, get over it! But people say, No, no, it changed my life, and I don't understand that. I can't take that seriously as a producer of what I consider to be art. If they want to collect it, fantastic. If you see what I saw when I took it and it means something to you, then by all means collect it. If I make some money, um, fine.
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