A Quote by Douglas Coupland

Characters in a book are very much like personalities divvied up within a family. In the end, it all averages out to a sort of overall averageness. — © Douglas Coupland
Characters in a book are very much like personalities divvied up within a family. In the end, it all averages out to a sort of overall averageness.
Completing a book, it's a little like having a baby.... There's a feeling of relief and satisfaction when you get to the end. A feeling that you have brought your family, your characters, home. Then a sort of post-natal depression and then, very quickly, the horizon of a new book. The consolation that next time I will do it better.
One of the great things about 'Girls' is that each of these characters really does represent a human being. There are definitely relatable aspects to all of these folks, and certainly within my close friend group, those personalities very much exist.
People come, people go – they’ll drift in and out of your life, almost like characters in a favorite book. When you finally close the cover, the characters have told their story and you start up again with another book, complete with new characters and adventures. Then you find yourself focusing on the new ones, not the ones from the past.
I think kids are in your temporary care, and that they probably arrive with pretty much the personalities they're going to have. I grew up in a perfectly traditional family and turned out how I did. I'm not sure there's much that the family can do except lots of love and lots of care and lots of chances for them to develop the best they can.
I grew up in a church-going family, a very sort of ordinary, middle-of-the-road Anglican family where nobody really talked about personal Christian experience. It was just sort of assumed like an awful lot of things in the 1950's were just sort of taken for granted.
Margaret Cavendish was one of the people who came up in the course. That was when I started thinking about her as a character for a book, but my idea was for a totally different book. It had all these characters in it; Samuel Pepys was one of the main characters. He famously wrote these extensive diaries through the period that are really funny and sort of saucy, actually.
Life is like a book son. And every book has an end. No matter how much you like that book you will get to the last page and it will end. No book is complete without its end. And once you get there, only when you read the last words, will you see how good the book is.
When you grew up like me and my four brothers, you end up feeling somewhat inadequate, like somehow you don't count. I was very ill as a child and in and out of hospital. That sort of alienates you, and in my songs I put that to good use.
Very often I'll find out at the end of a book what I put in at the beginning. A sort of process of elimination and discovery in one.
I'm not very knowledgeable when it comes to designers, but I love going to fashion shows just to see the other personalities that show up. It's such an eclectic group, and everybody is sort of like an artist.
When me and my sister were growing up, we just had very different personalities. I was sort of analytical and took myself too seriously, and she was sort of goofy and nuts and full of love - too much love, she had a crush on a different guy every week.
Growing up, my dad was a pastor, and much like The First Family or people in front of the public eye, we were highly scrutinized as a family within the church and looked at as - well, I guess you would call an example of what that family image should be.
When I married Humphrey I made up my mind to like sermons, and I set out by liking the end very much. That soon spread to the middle and the beginning, because I couldn't have the end without them.
I always have a few ideas that are percolating, and then after I've finished a book and it's a year later, and things are sort of festering and things are disgusting in my house and I have to get back to work, whatever project I keep thinking about is the one I end up working on. Sort of a very simple process of elimination.
I'm not thinking much about overall themes or preoccupations or anything like that. Instead I'm just trusting that, if I'm working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
So no, it's not all in the genes, but what isn't in the genes isn't in the family environment either. It can't be explained in terms of the overall personalities or the child-rearing practices of parents.
This site uses cookies to ensure you get the best experience. More info...
Got it!