A Quote by Douglas Coupland

I've never really seen too much difference between writing or making visual art or designing furniture or clothing. It's still my brain - I'm just using different parts of it for different things.
That's what I like about the idea of the aesthetic experience, the idea of both enjoying looking at works of art and how they kind of talk to you, and also the process of making art, getting back to that idea of the aesthetic experience of making art is very important, It's another way of thinking. Instead of just using your brain, you're using your hands to think with. They're different connections, the brain that comes through the fingertips as opposed that comes through the eyes and ears.
For my first apartment, when I was first married, I went to the lumberyard and bought stuff and made couches. My then-wife made cushions. I was really very interested in furniture. I was in school for architecture, but I had to live, and making furniture was different from designing buildings, which I couldn't do for myself.
The difference when I'm writing a story versus writing a joke is that writing a joke is so much more about the structure and it's less about the conversation. To me, the thing that I love about stand-up is the intimacy between performer and audience.To get it even more conversational was something that really appealed to me and that I really enjoyed doing. My early experiments with it, with just telling a story from my life on stage, it was so satisfying to do. And seemingly for the audience as well. It's a different thing, and it's a different feeling and a different vibe.
One often thinks that using 2 different things like visual and sound lead to 2 different conclusions - to a different content - but in in my case it is all one.
I'm definitely using different parts of myself, but I think when it comes down to words and melodies, I can't really force anything too much.
I would never live in anything I design. Life and art are different. My life is very precious to me - my art is precious to me. I love designing things for other people, but I don't like designing things for myself.
Structurally we should understand that one cannot think that the human brain is different from the brain of the other vertebrates. It is an important question, because we can investigate what is the difference between the brain of a mouse and ours, and of course the difference is enormous, in size and capacity.
I'm a really visual artist, and I love writing treatments for music videos, photo shoots, fashion, and all the visual parts that go along with making an album.
The interesting thing with acting, actually, is that you get to be so many different people that you get to do so much research on so many different things that I've learned so much about brain surgery and about astrophysicist-type of things and traveling to amazing parts of the world.
Mozart and Neil Diamond may have begun with the same idea, but that a work of art is more than an idea is confirmed by the difference between the 'Soave sia il vento' and 'Kentucky Woman.' We have different words for 'art' and 'idea' because they are two different things.
Never did much art till I was in my 30s, except for painting video sets, designing record covers and T-shirts, and making zines and stuff. I thought I was too punk for art and felt grossed out by white-room galleries and art people.
Learning is about much more than science and math. Doing theater, music, and art in school really helps children's minds grow because they're using different parts of their brains. Parents who care should insist on that.
It's all about making an experience. You go to the movies to see something you've never seen before. You want to get different people out there with different voices. So you see awesome huge spectacle or just a small unbelievable story you've never seen before.
Working with coach Sweeney has really been beneficial to my career. I've never watched so much film in my life, the constant communication between he and I. He'll send me clips every day, just different things to look at, ask what I think about it and we'll communicate and have different dialogues about it.
I like to see the world from different levels. Even when I'm making a candle or designing a piece, I like to sit on the floor to polish or make it from scratch. I haven't seen really tough times, but my husband has come up the hard way. He has even seen poverty.
But what I realized when I was looking back at them was that no matter how different they are, they're still coming from me, and they're still coming from my brain and my set of obsessions. I think that no matter how different I tried to make them, there were just these certain questions that I just kept circling back to as I was writing. I think they were the ones I was really swept up in in that decade.
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