A Quote by Douglas Crimp
[Cindy Sherman's] photographs reverse the terms of art and autobiography. They use art not to reveal the artist's true self but to show the self as an imaginary construct. There is no real Cindy Sherman in these photographs; there are only the guises she assumes. And she does not create these guises; she simply chooses them in the way that any of us do.
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Claude Cahun is a fascinating artist - one of the few women to be part of the surrealist movement, she and her partner Suzanne Malherbe took on men's names and made artworks that investigated female identity long before 'The Second Sex' or Cindy Sherman.
Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important.
The new female is competent in all that she chooses. She chooses whatever her heart tells her. She can create a business, lead a country, drive a truck, hammer nails, deliver mail, or raise a family. She is at home in every social and physical environment. She can be a housewife, if she chooses. She can be anything else, too. She is intuitive and heart centered. She is all that a female has been, and more.
Her mother, Laurie Simmons, is a contemporary artist, and my stepmother, Cindy Sherman, is a photographer, so they've known each other forever. Lena and I were often at the same dinner parties when we were kids.
My youngest sister, Cindy, has Down syndrome, and I remember my mother spending hours and hours with her, teaching her to tie her shoelaces on her own, drilling multiplication tables with Cindy, practicing piano every day with her. No one expected Cindy to get a Ph.D.! But my mom wanted her to be the best she could be, within her limits.
From the first time he'd met her, he'd sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people's art and ideas.
When I was around 12, my heroes were Cindy Sherman and Bob Dylan and Samuel Westing from the kids' novel 'The Westing Game'.
Art is an absolute mistress; she will not be coquetted with or slighted; she requires the most entire self-devotion, and she repays with grand triumphs.
Always, when the words art and artistic are applied to my photographic work, I am disagreeably affected. This is due, surely, to the bad use and abuse made of those terms. I consider myself a photographer, nothing more. If my photographs differ from that which is usually done in this field, it is precisely because I try to produce not art but honest photographs, without distortions or manipulations.
I grew up with a pretty tough mom. She was a self-appointed neighborhood watchdog, and if she saw that any of the local boys were up to no good, she would scold them on the spot. Although she is only 5 feet 2, she was famous in our neighborhood for intimidating men three times her size and getting them to do the right thing.
I knew that the show was coming and they wanted me to have a co-host. And so I asked Mary Hart and she was one of the first. Before that it was Sarah Purcell then Cindy Garvey. Then Mary Hart, then Cindy Garvey again here in New York, then Anne Abernathy and then Kathy Lee, who stayed 15 years. And now Kelly has been there eight.
The techniques are all means of dealing with one simple idea: She wrote it. (That is, the "wrong" person--in this case, female--has created the "right" value--i.e., art.)
Denial of Agency: She didn't write it.
Pollution of Agency: She shouldn't have written it.
Double Standard of Content: Yes, but look what she wrote about.
False Categorizing: She is not really she [an artist] and it is not really it [serious, of the right genre, aesthetically sound, important, etc.] so how could "she" have written "it"?
Or simply: Neither "she" nor "it" exists (simple exclusion).
It’s about a singer who first sneered about my allegedly not authentic style but later she stole and copied it. And now she’s acting like I am the art project and she the true super artist. My God and people actually believe her, she’s successful! I shouldn't continue ranting, it doesn’t get anywhere.
Amy Sherman-Palladino is very funny. She's got just natural timing and comedic instinct. And she writes in a comedic rhythm.
A work of art is something produced by a person, but is not that person — it is of her, but is not her. It’s a reach, really — the artist is trying to inhabit, temporarily, a more compact, distilled, efficient, wittier, more true-seeing, precise version of herself — one that she can’t replicate in so-called ‘real’ life, no matter how hard she tries. That’s why she writes: to try and briefly be more than she truly is.
There are so many things I love about he. She's still a small town girl at heart. The most important thing to Cindy is her family and making sure that we're all happy. She's so low-key despite her high-profile position. She's someone who constantly gives back, who does so many things for so many people without asking for anything in return.
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