A Quote by Douglas Crimp

The desire of representation exists only insofar as the original is always deferred. It is only in the absence of the original that representation can take place. — © Douglas Crimp
The desire of representation exists only insofar as the original is always deferred. It is only in the absence of the original that representation can take place.
The transposition that a painter makes with an original vision gives to the representation of nature a new interest.
Similarities in the vampire genre are so rampant that there's really no such thing as an original idea - only an original take on an idea that's been done before.
Not all representation is good representation. I would argue a lot of the marginalized representation in TV and media is off, because a lot of the gatekeepers are white straight cis people who mean well and they think meaning well is enough, and it's not.
Many agricultural counties are far more important in the life of the State than their population bears to the entire population of the State. It is for this reason that I have never been in favor of restricting their representation in our State Senate to a strictly population basis. It is the same reason that the founding fathers of our country gave balanced representation to the States of the Union, equal representation in one House and proportionate representation based upon population in the other.
No original thought still exists. People are original, each one of them. The same ideas that others had before you are waiting for you to bring them back to life in a new way. The part of who you are that is left behind within these old ideas is what makes them original all over again.
The observer must learn to look at the picture as a graphic representation of a mood and not as a representation of objects.
If Thomas Jefferson thought taxation without representation was bad, he should see how it is with representation.
TV writing - for me, at least - is half original voice and half an embodiment and a representation of the spirit of the actors you're writing for.
From the perspective of mere representation, the external world always remains only a phenomenon.
The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.
There are no original ideas. There are only original people.
There is no original truth, only original error.
It's important to be able to have representation for black queer women, because I feel like there's not much representation for them in the mainstream.
If a painting of a tree was only the exact representation of the original, so that it looked just like the tree, there would be no reason for making it; we might as well look at the tree itself. But the painting, if it is of the right sort, gives something that neither a photograph nor a view of the tree conveys. It emphasizes something of character, quality, individuality. We are not lost in looking at thorns and defects; we catch a vision of the grandeur and beauty of a king of the forest.
...it is not only the general principles of justice that are infringed, or at least set aside, by the exclusion of women, merely as women, from any share in the representation; that exclusion is also repugnant to the particular principles of the British Constitution. It violates one of the oldest of our constitutional maxims...that taxation and representation should be co-extensive. Do not women pay taxes?
In England the practice of "virtual" representation provided reasonably well for the actual representation of the major interests of the society, and it raised no widespread objection.
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