A Quote by Douglas Fairbanks, Jr.

In my day, the only people who achieved real independence were my father, Mary Pickford and Charles Chaplin, who, with D. W. Griffith, formed United Artists. Other than that, everybody belonged to the big studios. They had no say in their own careers.
What guided Chaplin was the proper protection of self-interest (or craziness). So Chapling, Douglas Fairbanks, and Mark Pickford, with DW Griffith and William S Hart, made an alliance, called United Artists, whereby they would own a distribution company that would market their pictures, allowing them a greater return than if they leased the movies to some outside distributor.
I try to respect the rules of the silent movies and I tried to make signification to make sense, and also the crew were very good and the fact that we shot in LA in the real Hollywood, studios and houses. We shot in the bed of Mary Pickford, and you cannot be any more accurate than that, so that helped a lot.
From a small child to right now - I mean, when I was five years old, Red Norville, Tal Farlow, Charles Mingus, Les Paul, Mary Ford, people like that were coming over to my house. So I was around professional adult mature musicians who had had big careers.
Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.
My father and Mary Pickford were the reigning stars of not just Hollywood but of the world. Well, to bear my father's name was hard enough, but to work in pictures to boot was pretty foolhardy. In fact, my father was totally against it. He thought I should be off getting a good education and go into some safe profession.
I think the big studios shaped and formed the artists that they put under contract.
I visit studios. Just to get the feel, the smell, and see what other people are doing. Not only listening to the radio, but going to studios, greeting musicians and artists, just getting a vibe.
It's not right to say that my father influenced me more than others, and I wouldn't be able to say whether my personality was formed more by my father or my mother or the Mahatma [Gandhi] or the friends who were with us.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
Regular people don't even realize how much artists mean to them. Artists represent a lot to the average person. People listen to music all day on their iPods, so as artists, we become a real fixture in people's lives. As an artist, you can't take it personal. It's like your big brother teasing you.
The day a woman can walk freely on the roads at night, that day we can say that India has achieved independence
Norman Rockwell spent his career painting pictures that helped people understand their own feelings...pictures that enriched their own experiences and celebrated their own lives. But the art establishment branded him an 'illustrator', a sentimental one at that. Real artists, they said were doing art for art's sake, not for the sake of the bourgeois public. Real artists were putting swiggles, smears or daubs of paint on the canvas. They were doing 'innovative' and 'creative' work. If they were hideous and grotesque; we know that's what life really is!
Jefferson wrote the Declaration of Independence; Madison wrote not only the United States Constitution, or at least most of it, but also the most searching commentary on it that has ever appeared. Each of them served as president of the United States for eight years. What they had to say to each other has to command attention.
Not only were the minds of artists formed by the university; in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.
There is a sense in which the United States Ambassador speaks to the United States, as well as for the United States. I have always seen my role as a thermostat, rather than a thermometer. So I'm going to be actively working... for my own concerns. I have always had people advise me on what to say, but never on what not to say.
There is a sense in which the United States ambassador speaks to the United States, as well as for the United States. I have always seen my role as a thermostat rather than a thermometer. So I'm going to be actively working... for my own concerns. I have always had people advise me on what to say, but never on what not to say.
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