A Quote by Douglas Henshall
Do you know, I didn't play a policeman up until I was 40, and then suddenly that's what I have been asked to play.
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I have genuine empathy for the fact that if you're a professional footballer, you've often started at three years old, you've been found, you've been scouted, you play, you play, you play, you make millions, you live this incredible life. And then you reach 35, and suddenly you have to stop doing it, and you haven't been taught anything else.
We play a hip-hop song and suddenly 25 people on the left jump up and put their hands in the air; then you play Lost Cause and they're like, I don't know about this one.
It's not easy to play your best for 40 weeks. It happens every year, I don't play well in Rome or Hamburg -- I don't know why -- but then I play well after that.
You never know that this is the moment when you're in the moment. When I was sixteen I moved to a smaller town in Vermont, and at that time I didn't have a band to play in. So I was forced to play in Top 40 bands and fraternity bands and wedding bands. That was all pop music, but I was listening to Weather Report and classical music. Then I went to Berklee College of Music in 1978, and you had Victor Bailey there, and Steve Vai. And suddenly I was among my ilk.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
When I was a kid, I felt like I could do anything and play anything. I just felt super-confident. And then, once I started to play music professionally, maybe it's from being from a small town, but you grow up and then you're suddenly a big fish in a small pond, and I realized that there were a billion other drummers out there that could play as good as you or better, and everybody wants that job.
The success of a play, especially one's first success, is somewhat like pushing against a door which is suddenly opened that was always securely shut until then. For myself, the experience was invigorating. It suddenly seemed that the audience was a mass of blood relations, and I sensed a warmth in the world that had not been there before. It made it possible to dream of daring more and risking more.
You know, it's hard to say what's going to happen in the future. But, if I stay healthy, I think I'll probably play until I'm about 40.
I want to play the Tour until I'm 46, 47, and then take about three years off, and then go play the Champions Tour when I'm 50. That's the plan, but you never know - it all depends on how good the fishing and hunting is.
There's a rule in acting called, 'Don't play the result.' If you have a character who's going to end up in a certain place, don't play that until you get there. Play each scene and each beat as it comes. And that's what you do in life: You don't play the result.
You know your real nature [to be divine]. You are the king and play you are a beggar. . . . It is all fun. Know it and play. That is all there is to it. Then practice it. The whole universe is a vast play.
I started playing instruments. Writing didn't come until later. I didn't know how to play a keyboard but I'd listen to hits off the radio, learn them, then my hands would be ready to play.
The Frenchman works until he can play. The American works until he can’t play; and then thanks the devil, his master, that he is donkey enough to die in harness. But the Englishman, as he has since become, works until he can pretend that he never worked at all.
When I play live in restaurants and cafes, I don't play my own stuff. I play jazz and 'American Songbook' standards, and I'll fuse it with top 40.
Work and play go hand in hand. A lot of people want to work, work, and work until 40, and then relax. Who says you'll get to 40? Or 50? Who knows what'll happen in the next five minutes? The only reality is the present. And if you can't learn to live in the moment, you'll never be content.
I can play until I'm 40. But I won't.
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