A Quote by Douglas Henshall
It's one of those weird things you start doing: you get to have on-screen teenage children and play policemen. That's what happens to you when you hit 40.
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If you have an idea that seems worth doing, don't wait to hire other people and get funding and all those things. Just start doing it, wait to see what happens, and then iterate on that.
You start getting hit with some very interesting situations in life - you as a parent - when they approach that teenage area, which is frightening because you still have memories of that age and the things you were doing at that age... Please don't do what I did.
Things change when you get to 40. I'm embarrassed even that I'm going through it. In a very morbid way, at 40 you become aware of how long you've been on Earth and you start to question what you're going to use the remaining time doing.
I'm starting to play lots more naturalistic, realistic people than when I first started. Maybe because I was doing character comedy shows, and I was doing slightly weird, oddball characters with weird accents, those were the characters that I got cast to play - which made perfect sense.
I get on the airplane and there's a screen in front of everything. You get into a taxicab in New York, there's a screen blinking at you. I think it's going to have a tremendous effect on our brains, because those bright, saturated colors and those strong lines, they do things to your brain.
I used to get very angry as I was getting older, because my voice was breaking. So I've trained my voice so religiously through my teenage years, because I wanted to be able to hit the notes that those females hit. And I can, which is great.
When you see yourself on a 40-ft. screen. you go, 'Oh My God! I look so weird!'
I hit rock bottom when I was doing "The Brady Brides." I was supposed to be at the studio, screen testing to pick the guy that would play my husband. At this time, I had been up for three days doing coke and was playing solitaire in my closet.
What is very exciting with children is they like to play, and they don't care so much about the meanings [of things], and they are just excited to have weird scenes to do or weird things to do, like playing deaf, or playing sick, or swimming in the water.
What happens with artists, or people who start off doing things for the right reasons, is that you slowly start to paint yourself into a corner by doing what people outside of the creative world are asking you to do, and I think that's antithetical to being an artist.
Very often what will happen between actors is that they'll develop kind of a ghost relationship in real life that reflects their relationship on screen or in the play that they're doing. In fact, I'd say that happens almost every time. I don't know why that happens, but it seems very common.
Sometimes you'll have 30, 40 touches in the game, and you'll feel better than if you had 22. It depends on where you get hit and how you get hit.
You know, unfortunately divorce it happens in Kansas as much as it does in Hollywood. And, you know, women having to start over at 40, you know, for the first time in their life having to find a career and being a single parent and having to date. You know, all of those things happen everywhere in the world. It's not just Los Angeles. So I would defend the fact that there are, you know, there are other reasons to watch than just to get a laugh.
You never want to be too comfortable because that's when you start to get complacent and start doing those little stupid things and getting too relaxed.
When I was little, I wanted to be a mother, because that's who I saw. I saw my mom caring for me. I didn't play doctor. I didn't play lawyer. I didn't have those visions until I was in college, meeting people who were doing those things. That's why we're trying to encourage moms, teachers, fathers, to be that presence in their children's lives, in their communities, because it really makes a difference.
My kids download 10 games. They play them all for two minutes. They throw away the eight they don't like. Then they play those last two obsessively for a month. That's alien to those of us who buy a $60 game and play it for 40 or 50 hours. The discovery mechanism is completely social, and I don't think you get that genie back in the bottle.
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