A Quote by Douglas Henshall

Normally, I bolt at the idea of playing anyone for too long because I don't want it to become dull and like another job. — © Douglas Henshall
Normally, I bolt at the idea of playing anyone for too long because I don't want it to become dull and like another job.
I normally raise pre-flop with K-K or A-A but occasionally I'll limp in, especially if it appears that the others at the table are playing tight. I don't want anyone to fold too soon when I've got such a big hand.
There are certain things that I know I don't want to do anymore. Playing out-and-out terrorists who terrorise people and don't actually move the conversation on are not worth doing. So that's probably another reason I don't go back to America, because a lot of it is like that. It's boring, dull, very lazy writing.
Coaches should realize that the only way to conquer drudgery is by getting through it as efficiently as they can. A dull job slackly done becomes twice as dull, whereas a dull job performed as efficiently as possible becomes half as dull. Effort appears to be the main art of living.
Acting is a tough, difficult job with long unsociable hours, although it can be a brilliant job, too. I don't want to complain too much, as nurses, farmers and teachers are out working long hours.
Let's face it, first-time assistant coaches normally don't walk into jobs with two perennial All-Stars on a team that just got bounced in the Western finals. Normally, they get a job in the middle of a year, playing for lottery balls.
Before, when Bolt was in the race, it was about who's going to get second. You just come and want to watch Bolt run, it's always exciting because you know he always puts on a show.
As an actress, it appeals to me because I love the idea of playing those in-between moments, the sort of behavioral stuff that one might not normally see.
We are actually starting to manipulate our bodies, because we can, into a shape. We are becoming our own art. But what happens for me is that it desexualizes everything. You know, you start to look more and more polished, more and more lacquered and you look like a beautiful car. Does anyone want to sleep with you? Does anyone want to touch you? Does anyone want to kiss you? Maybe not, because you're too scary.
All I know is that I've wasted all these years looking for something, a sort of trophy I'd get only if I really, really did enough to deserve it. But I don't want it anymore, I want something else now, something warm and sheltering, something I can turn to, regardless of what I do, regardless of who I become. Something that will just be there, always, like tomorrow's sky. That's what I want now, and I think it's what you should want too. But it will be too late soon. We'll become too set to change. If we don't take our chance now, another may never come for either of us.
Most meetings are too long, too dull, too unproductive - and too much a part of corporate life to be abandoned.
Normally, I don't like explaining songs. I don't want to kill anyone's interpretation or the story they want to make for themselves.
I hate to say stuff like this because everyone dreams about playing The Opry, everyone dreams about playing Gruene Hall, but I've always tried to not concentrate too hard on where I want to go because I know if I put too much stock into it, it would be pretty disappointing if I never got there.
Peter was dull; he was at first Dull; - Oh, so dull - so very dull! Whether he talked, wrote, or rehearsed - Still with his dulness was he cursed - Dull -beyond all conception - dull.
I sometimes feel like I could do another job. Anything. Maybe because as an actress you're playing different characters, everything feels possible.
I resisted writing a book for a long time because I didn't want to invade anyone else's privacy or hurt anyone or anger anyone.
Playing Mo-yeon was satisfying because I could be irritable. I normally can't be like that in public because of my image.
This site uses cookies to ensure you get the best experience. More info...
Got it!