A Quote by Douglas Henshall
With 'Shallow Grave' people realised that you could set a film in Scotland and it didn't have to be about leaky boats in the Highlands. Then 'Trainspotting' made it fashionable.
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Most films that I do, whether successful or not, just fade away. They have their moment in the sun, then they are gone. 'Trainspotting' did not, and especially with journalists. So whenever I launched a new film, I'd end up talking about 'Trainspotting.'
I have no time for those who say there is no way Scotland could go it alone. I know first-hand the contribution Scotland and Scots make to Britain's success - so for me there's no question about whether Scotland could be an independent nation.
I knew nothing about football, then someone showed me a film of Petit and I realised how interesting the game could be. He is divine. When I met him I could barely speak, he was so gorgeous. Women will love that show.
I couldn't keep up with trends, I couldn't really be fashionable. But I really loved clothes. And then I discovered a vintage shop, and realised that I could dress for myself rather than for an industry or trend.
I loved being in Trainspotting and having to dive into the filthiest toilet in Scotland.
I mean Filth is the best British film since Trainspotting. It might even be better. I keep watching it back to back with Trainspotting to try and work out which is the best. I can't split them.
I did the Kannada film when just out of school. I didn't know anything about the South Indian film industry at that time, and I did the film to earn some pocket money. I realised then I like acting.
Lord Aberdeen was quite touched when I told him I was so attached to the dear, dear Highlands and missed the fine hills so much. There is a great peculiarity about the Highlands and Highlanders; and they are such a chivalrous, fine, active people.
On another level this film talks about that. We had tremendous freedom while making this film. We never thought about marketing. It wasn't a film made to sell merchandise or products or to reach millions of people around the world. It was a film made to say what I really felt.
When I was about 10 or 11, I realised that people made movies; until then, I had thought they just happened.
Then, there was Greenpeace, I remember that when they first started out with the boats in the waters, and the guys in the boats between the whales and the boats that will hunting the whales with spear guns.
The Hollywood actor business can be a little shallow and can be a little more of a facade, and Nashville and the South, people are genuine and real, so if I can be based out there and go off to Hollywood to do a film or do another TV show and then fly back to Nashville, I'd be set.
'Masoom' was like a picnic for all of us. We kids just wanted to have fun acting in the film. We never realised when the film was completed. When we did, we realised the party was over.
Labour long ago realised it could no longer automatically assume that it would win elections in Glasgow and other places where it has taken people's votes for granted for decades - as we have seen across Scotland at local council and Holyrood elections.
I wanted to be a playwright in college. That's what I was interested in and that's what I was moving toward, and then I had the lucky accident of falling in love with film. I was 19 or 20 that I realized films are made by people. Shooting digitally became cheaper and better. You couldn't make something that looked like a Hollywood film, but you could make something through which you could work out ideas. I was acting, but I was also conceiving the plots and operating the camera when I wasn't onscreen. I got very unvain about film acting, and it became a sort of graduate school for me.
Scotland is not a region of the U.K.; Scotland is a nation, and if we cannot protect our interests within a U.K. that is going to be changing fundamentally, then that right of Scotland to consider the options of independence has to be there.
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