A Quote by Douglas Henshall
I'm interested in how people interact with the landscape around them, and the effect that has.
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I've never really been very interested in computers themselves. I don't watch them; I watch how people behave around them. That's becoming more difficult to do because everything is around them.
I have always been interested in exploring how we can leverage our knowledge about everyday objects, and how we use them, in order to interact with our digital world.
Actually - and ironically - people aren't really interested in a new brand form or flavor as much as they are interested in how a brand can change, impact, or improve their lives. They want brands around them that make them feel special and provide some social cache or confidence.
As you show these principles over and over , it becomes engrained into how we think. And, when your kids see that, they begin doing it to their siblings. And so we've seen that as well. Many of these aspects I already knew as a parent but, as I study them more, there are more avenues that I can apply in my own parenting and I'm seeing how my kids are watching how I (interact) with my wife and (with) each of them and I watch how they (interact) with each other.
I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.
I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
We're exposed and carry in our bodies multiple chemicals, and we have to understand how they interact. Both how they individually interact and the thousands of effects they can produce when they interact with the receptors that run our bodies.
Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
I definitely am more observational of the people around me and how they interact and less introspective about myself.
I'm interested in how paintings can change or transform - sometimes through close examination or viewed from afar; or how they hold the space of a wall or interact in a room with each other.
I'm interested in internationalism. It's the new multiculturalism. How we deal with each other isn't sufficient any more. It's about time we examine how we interact with the rest of the world we live in.
I'm really interested in the minutiae of different tones and what that explains - how people's backgrounds are reflected in minute details of how they interact. It's true that I'm hypersensitive to all that. Writing is acting in the sense that you're imagining and inhabiting another. In the book I was trying to get at the root of what true acting is.
I've always been interested, - if you look back at my work from the beginning, really - I've always been interested in the idea of the artificial landscape. Reforming the landscape. Architecture being a method of reforming the earth's surface. We reshape the earth's surface, from architecture to paving streets, to parking lots and buildings that are really reforming the surface of the earth. Reforming nature, taking over what we find. And we're mushing it around and remaking a new earth - or, what we used to call Terra Nova.
I'm very interested in the way people interact emotionally.
We do not need to understand other people and their customs fully to interact with them and learn in the process; it is making the effort to interact without knowing all the rules, improvising certain situations, which allows us to grow.
One of the great, truly extraordinary privileges of being an actor is to interact with individuals from all walks of life, you know, from avocations that you wouldn't ordinarily interact with or people you wouldn't ordinarily interact with.
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