A Quote by Douglas Hodge

It doesn't matter how big the set is or how florid the music is: if it doesn't touch people's hearts, then I don't want to be in it. — © Douglas Hodge
It doesn't matter how big the set is or how florid the music is: if it doesn't touch people's hearts, then I don't want to be in it.
Originality is definitely missing from EDM. There are people looking for it and exploring but I feel it's so big now it is just getting milked. House music is losing all its melody as it becomes more about how dirty the drop is and how energetic it is. It loses touch with what music really is.
I think every man and woman is a star. It's just a matter of realizing and becoming it. It's all a matter of willpower. The world is just how you see it. If you want to have other people tell you how to see it, then you can. But if you want to look at it differently, then it's limitless what you can do. That's why I don't feel the need to be one person. I can be as many people as I like.
At Coachella, I want to start separating how I do a big festival set from how I do a club set.
Anything's possible if you set your heart on something, no matter how big and how crazy it seems.
We don't set out to save the world; we set out to wonder how other people are doing and to reflect on how our actions affect other people's hearts.
The great basis of Christian assurance is not how much our hearts are set on God, but how unshakably his heart is set on us.
Hate no one, no matter how much they've wronged you. Live humbly, no matter how wealthy you become. Think positively, no matter how hard life is. Give much, even if you've been given little. Keep in touch with the ones who have forgotten you, and forgive who has wronged you, and do not stop praying for the best for those you love.
I want to motivate and inspire young girls to pursue their dreams, no matter how big they are, and encourage them to never set limitations on what they believe they can achieve.
I definitely isolate, but I also always have people in front of me, and I have to be OK with that. I'm in a business where, on the set, you're around two hundred people every day, and if you're high on the call sheet, you sort of set the tone for the set. And you want people to feel appreciated, and you want to ask them how their kids are. You want to talk to people and invest in them and let them know that they're appreciated and heard. But then I do like to just kind of withdraw.
The presidency has made every man who occupied it, no matter how small, bigger than he was; and no matter how big, not big enough for its demands.
Once you see how powerful music is and how it can affect people, then you want to use it to impact the world.
No matter how big a name you are, how many big series you've been in or how good looking you are, in the end, all actors are secondary to the writer.
Get an Alan Bennett script; then everybody will want to do it, no matter how big they are.
It doesn't matter if it's jazz or not. It's about how we listen, how we interact, how we guide our attention when we're listening, and how we can refine what we're doing musically. Also how we can create our own music, and what opportunities that can bring us, as creative musicians. And then insisting that musicians put themselves through an intellectually rigorous process, which involves a lot of reading and writing, while insisting that music scholars think about ethics.
I like seeing people that are into my music, it shows me that it doesn't matter, you can't judge a person based on how they look, and that's just how my music is.
Remember this son, if you forget everything else. A poet is a musician who can't sing. Words have to find a man's mind before they can touch his heart. And, some men's minds are woeful small targets. Music touches their hearts directly, no matter how small or stubborn the mind of the man who listens.
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