A Quote by Douglas Kirkland
I believe Photoshop is in some way the contemporary darkroom, the creative area that all photographers have available today.
Related Quotes
I'm not against digital photography. It's great for newspapers. And there are photographers doing great work digitally. When they use Photoshop as a darkroom tool, that's fine, too. But at this point of my life, after so many years, I don't really want to change, and I still love film.
I never divide photographers into creative and uncreative, I just call them photographers. Who is creative? How do you know who is creative or not?
I fell in love with the darkroom, and that was part of being a photographer at the time. The darkroom was unbelievably sexy. I would spend all night in the darkroom.
If photographers are responsible for creating or reflecting an image of women in society, then I must say, there is only one way for the future, and this is to define women as strong and independent. This should be the responsibility of photographers today: to free women, and finally everyone, from the terror of youth and perfection.
If photographers are responsible for creating or reflecting an image of women in society, then, I must say, there is only one way for the future, and this is to define women as strong and independent. This should be the responsibility of photographers today: to free women, and finally everyone, from the terror of youth and perfection.
... what I believe to be one of the major tragedies in the Church today. Namely, that evangelicals are biblical, but not contemporary, while liberals are contemporary but not biblical, and almost nobody is building bridges and relating the biblical text to the modern context
NAPP was created as a resource for people who are serious about Photoshop. NAPP is designed to keep our members on the cutting edge of the latest developments, tips, and tricks used by some of the most accomplished Photoshop professionals.
When today's generation reads Jack's books or they listen to the music created by some of us, I believe that they see there is a different way of approaching today's life and today's sometimes seeming hopelessness that can provide answers.
Cameras always were seductive. And then a darkroom became available, and that's when I stopped doing anything else.
Feudal Europe is over, but it found its way into film culture. It found its way into postmodern painting culture, and we're all here talking about it today. It still lives. I don't believe in ghosts, but these are contemporary ghosts.
Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.
Food is available, but it cannot be shipped into an area, so the people in that area suffer the consequences.
Most of what I do is for creative people - writers and painters and photographers - trying to work through creative problems.
My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
I don't think there's a Photoshop professional out there that doesn't owe a significant chunk of their expertise - and a big debt of gratitude - to Bruce Fraser. He almost single-handedly shaped the way we work with color, how we process RAW images in Photoshop, and even how we sharpen our photos.
I believe that we photographers don't benefit very much with answers from other photographers. What is more beneficial is to ask questions of ourselves and see what thoughts float out from within.
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