A Quote by Douglas Kirkland
I always considered, with every shoot, I was on trial; every time I pick up my camera and start out on the relationship, I am at degree zero. There is no coasting.
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I just use [the camera]. I just pick it up like an axe when I've got to chop down a tree. I pick up a camera and go out and shoot the pictures I have to shoot.
Do not be afraid of mistakes. They will be with you always,every time you put a camera to your eye. [If you] shoot safe, and don't at least occasionally court disaster, you are not trying. Time to hang up the camera.
I would say my faith has become strengthened every time I have faced what I considered to be a trial, and there is no greater trial than being 14 and pregnant and not even knowing what it is.
Every time you pick up an instrument, it's not always out of necessity - for a certain kind of person, it's a choice.
Just think of yourself as starting from zero every time. That's what I do with every new role. I'm at zero, and I'm going to do the work.
You know, every time it comes, every time that light comes on or every time that camera comes on, every time that microphone comes on, the Mac Man seek and destroy.
I am so highly skilled that when I pick up a phrase and then pick up my guitar, a form comes out almost immediately - a song - and once I start, I have to finish it.
We all start out with no discipline, no patience, no perseverance, no determination. We all start out at zero. People say, 'You have talent.' No, the gift is to realize that we all start out even. Whether we messed up or put our best foot forward, with these four qualities, we take care of our mental, physical and spiritual health each day. Am I the best in the world? No. The question is: Am I the best I can be?
Etta James is my all-time favorite singer. I've said it in every interview, in every story, in every on- and off-camera question. That music was always such a huge escape for me, even from a young age.
After years of doing composition, the risk is always that you might start to repeat and be cliche. Every time, I try find a way to be reborn again as an artist. Its not easy to reinvent yourself every time, as it takes a lot of creative energy, but I am happy to do it.
A sitcom, you rehearse for four days of the week and then you shoot it all in one night in front of a studio audience. It's like a play every week, you just shoot it over a seven or eight-day period with a single camera. I enjoy this format of show much more. I'm a feature guy. I like making movies. So the four camera thing I didn't love it that much. I found myself slightly out of my element.
The selfie has become a new autograph, but it takes twice as long to do as a real autograph. I do it because I'm like, "What am I going to do, these people bought me my house." Why am I not going to take a picture with them except I always say, "You have to hold it up! Shoot down or it's really ugly if you shoot up!" So not only does it take longer, you have to teach them camera angles.
On practical level I can't pick up the camera until I think I know what I want. I don't wander around. It's almost impossible for me to pick up a camera... it's really hard.
Exactly who is this God character who is said to be all-powerful yet needs to hire lawyers to take us to court? Isn't he miffed when someone he had always considered to be a true follower turns to the legal system rather than to prayer? Why would the faithful risk making God look ridiculous by losing a trial on Earth when he is certain to win every trial in heaven?
Basically, if you shoot your own stuff, you can just pick up a camera and some wireless microphones, grab a couple of LEDs, and you're off and running. And if you don't shoot your own stuff, you can just grab one other person to do camera and you can learn how to do the sound, and you're off and running.
I am always in self-doubt... every moment of my filmmaking. I am supremely confident when the story is being written and everything is in our head. But the moment we get into the filmmaking, I start doubting myself - from the camera angle to the re-recording to getting the actors to do their shots.
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