A Quote by Douglas Pearce

Depending upon their version of Eurocentric Racialism, then 9 times out of 10 I feel very comfortable with it. This is how it's supposed to be. I would like to think the Klu [sic] Klux Klan version isn't included in this. Eurocentrics goes beyond reactionary Christian, political militias. I believe in seizing the end of time, not being a passive part of it.
Byrd, the former Klu [sic] Klux Klan Kleagle, is taking a stand over states' rights, or his rights over State, or some such. Whatever the reason, the sight of an old Klansman blocking a little colored girl from Birmingham from getting into her office contributed to the general retro vibe that hangs around the Democratic Party these days.
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
The Supreme Court is expected to rule this week whether banning cross burning by groups like the Klu Klux Klan violates the first amendment. The outcome could affect the entertainment at Trent Lott's Christmas party.
I think that if you are sticking to the text, essentially, you're not trying to write your own version of it. I mean, of course, it is your own version of it. And every translator would probably have a different version. But I think that that's what keeps the writers from being individual in English. They may be my English, but I don't think that Ferrante sounds like Levi.
I think the opposite version of me is the one we don't see, which is there are tens of thousands of outrageously successful businesses of very quiet, very calculated, calm executors who are confident. You can't be successful without being confident. They believe in themselves. They have their own version of assertiveness ... I think confidence matters and I think other things matter, like I would tell you empathy is probably why I'm more successful than confidence. I'm empathic to the customer, to my business partners, to my employees.
For the records I've work on over the last 10 years, I get sent the really compressed version and the non-compressed version, and oftentimes you end up going with the more compressed one because it's what people's ears are attuned to. I think the bigger problem is saturation and people being desensitized.
There will always be a replacement coming along very soon - a newer version, a crazier version, a louder version. So if you haven't got a long-term plan, then you are merely a passing phase, the latest trend, yesterday's event.
There will always be a replacement coming along very soon - a newer version, a crazier version, a louder version. So if you haven’t got a long-term plan, then you are merely a passing phase, the latest trend, yesterday’s event.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
I've always approached screenplays and so forth with, "How would it really happen?" Not "What's the movie version?" but "What's the real-life version?" Then I just follow my nose.
I don't really believe in political art. I feel in my heart the purpose of art transcends cultural and class and politics. I think something like the Sistine Chapel is something that goes beyond just being a Christian thing. It transcends its Christianity and becomes sort of a universal beauty. And I think that's true of music and art and literature.
The things had been made a half a dozen times from silent pictures through the '30s and '40s. In fact, I think there's a version in the '50s. And then, of course, Spielberg eventually did a version of The Lost World, but this [filming] was '91, I think. And we shot it in Zimbabwe.
I am a former Kleagie of the Klu Klux Klan in Raleigh County and adjoining counties of the state, having been appainted to this office [by] Mr. J. L. Baskin of Arlington, Virginia, in 1942... It is necessary that the order be promoted immediately and in every state in the union.
I watched the Telugu version of 'Pokkiri' several times. Of course, I wielded the megaphone for the Tamil version. The script is very close to my heart.
For me, fantasy and speculative science fiction are the genres that feel closest to how I feel about being alive. Like, when I feel the most invigorated by just even a walk down the block in twilight, when the street lamps are just coming on and there's mist and some shadowy thing in silhouette in a window, I naturally invest all of those things with deep mythology and mystery and meaning. I think I need to believe in that version of reality because I get very scared when I don't.
I always really curious to see how people interpret things. I know my version, and I'm kind of bored with my version so I want to see their version.
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