A Quote by Douglas Pipes

I use all types of instruments, really depending on the film. Instrument choices are very much tied to lighting, colors, art direction, as well as the narrative elements. I have a great collection of vintage synths, and of course I do like to write for acoustic instruments. I find the depth and intricacy of sound and emotion you can get with acoustic ensembles extremely versatile and effective in the overall sound environment. Also, the human aspect of performance is such an important part of the music score to character connection.
I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
I sometimes like to think of God as a great symphony and the various spiritual paths as instruments in an orchestra. The gift that you have is like music waiting to be played. You need only to find the instrument that will best bring it out. You alone can never play all the instruments, and your music might not find voice in all the instruments. All you can do is find the instrument that suits you best, play it as well as you can, and add your music to the great symphony of divine creation.
Mumford & Sons have really opened up everyone's ears to music with instruments again, acoustic-based music... it's reassuring for people like me who have been brought up on acoustic guitar.
Being outside is a loose theme on 'Paracosm.' Acoustic-sounding instruments have that warmth to them that is really important to communicate. It was really important for me to tell a story - my favorite records have a narrative feel.
My music doesn't really sound like punk music, it's acoustic. And it doesn't really sound like folk music 'cause I'm thrashing too hard and emoting a little too much for the sort of introspective, respectful, sort-of folk genre thing. I'm really into punk and folk as music that comes out of communities and is very genuine and very immediate and not commercial.
I brought the music out to L.A., and the producer Tommy LaPuma heard it and he said - "Man, I love it. Let's do it. Let's record it." I said, "Okay, where's the band?" He said, "We don't have a band. We want it to sound exactly like your demo." I said, "Well, I played all the instruments on the demo." You do that when you're making demos. You got your guitar, you got your sax. He said, "Well, I want it to sound just like that, so get all your instruments out here." So I ended up playing all the instruments.
An acoustic ecologist is a listener who is aware that sound is information. It's information because it's created by events, events produce sound, and that sound has all kinds of data, if you will, that conveys what event occurred, what the materials were, whether it was sudden, slow, loud, in what direction. And because it is information, we can think of it as a message. The acoustic ecologist studies information systems that are both intentional and sometimes wild.
I made music on Seven the same way as on the other albums. I only used acoustic instruments... I'm looking for instruments that have vocal sounds, forgotten instruments like the guimbri... The first and second albums were about the voice, what came before. This album is about introducing those sounds into modern, Western life.
Our times seem to be so much about redefining where we are physical and where we're not. For me, it is really exciting to take the cutting edge technology and take it as far as it can get virtually, use it to describe/control the musicology or the behavior of raw natural elements, and then plug it with a sound source which is the most acoustic one there is - like gamelan and pipe organ. So you get the extremes: very virtual and very physical. In that way you shift the physicality.
I'm not good enough to be playin' much acoustic guitar onstage. Man, you gotta get so right; I mean, the tones, the feel, the sound. Plus, acoustic blues guitar is just that much harder on the fingers.
Saying that you've got acoustic instruments and that's traditional and so people will think it's more intimate, that will always be the case. It's a more intimate sound, so it's going to sound more direct whatever you're singing about.
I always relish the idea of collaborating with the director on creating the sound world, the sound spectrum, and the sound environment of the film. I use every means at my disposal to create a score that is as strong and powerful to enhance the director's vision for the film.
Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music.
We don't make a distinction between an acoustic instrument as a source of sound and any sound in the air outside or on a manufactured tape. It's all electric energy, anyway.
There are tons of people in the West who love fiddles, banjos and mandolins. If you got to any cowboy poetry and music gathering those are the instruments they use. It's acoustic music. We don't do that much modern country that has electric guitars and a lot of volume. It's a gentler form of music. It's from the land and comes from the ranchers and farmers.
There were not very many girls in rock n' roll together with men that had a heavy rock sound as well as a more acoustic sound like Heart.
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