A Quote by Douglas Rushkoff

Books have souls. Or so romantics like me tend to think. — © Douglas Rushkoff
Books have souls. Or so romantics like me tend to think.
The fact remains that books that really put gay people in the center, and especially books that do so in a way that is sexually explicit, tend not to get a great deal of mainstream attention: they don't tend to sell well, and they don't tend to win major awards. This makes the occasional exception, like Alan Hollinghurst, all the more remarkable.
There are scenes from books I'm happy with. I tend to think my books are all broken. But then my favourite reads are almost always books that don't, in the end, pull off what they set out to do.
I think I was always writing books that had very clear scenic structures. I do tend to write in scenes. I do tend to have a fair amount of dialogue. And I do tend to use stories that don't sprawl all over the place, that have a very sharp focus in terms of how they unfold in time.
Do you lend books and DVDs to people? If so, don't you always regret it? All my life I have forced books on to people who have subsequently forgotten all about it. Meanwhile, on my shelves sit many orphaned books loaned to me over the years by trusting, innocent souls - some as long ago as the Seventies.
Which people take the time to care for their souls, these days? I reckon not many. But...hear this: I think that maybe in our lives - in our scrabbling for food, in the washing of our bodies and warming of them, in our small daily battles - we can forget our souls. We do not tend to them, as if they matter less. But I don't think they matter less.
I think that every reader on earth has a list of cherished books as unique as their fingerprints... I think that, as you age, you tend to gravitate towards the classics, but those aren't the books that give you the same sort of hope for the world that a cherished book does.
I think all animals have souls. I feel certain that if we have souls, octopuses have souls, too. If you grant something a soul, it demands a certain level of sacredness. Look around us. The world is holy. It is full of souls.
There are hermit souls that live withdrawn In the place of their self-content; There are souls like stars that dwell apart, In a fellowless firmament; There are pioneer souls that blaze their paths Where highways never ran,-- But let me live by the side of the road, And be a friend to man.
I think I'm less and less labelled a 'horror writer'. The books tend not to go on horror shelves any more, and when they do, I tend to take them off.
Monsters don't scare me at all; I think creepy is scarier than gore. I tend to read more thrillers and mysteries than horror, though. I like a good whodunnit. If I want scary, I tend to reach for a movie. I think it's a great medium for horror.
In fiction, if people like one of your books, they tend to pick up your other books as well.
I think Bach is equally a romantic composer because he laid the seeds harmonically for people like Chopin and the great Romantics, Brahms, so it's difficult to you know all this like labelling and putting - I think Bach is attractive to musicians because he supersedes the labels.
I think Bach is equally a romantic composer because he laid the seeds harmonically for people like Chopin and the great Romantics, Brahms, so its difficult to you know all this like labelling and putting - I think Bach is attractive to musicians because he supersedes the labels.
I tend to be known for different things. I mean, there are a lot of comics or sci-fi fans out there who sort of think of me doing that kind of work, but there are just as many people who like the CD covers I've done, or the children's books I've done. So different people like different things.
Insofar as I think about postmodernism at all, and it doesn't exactly keep me awake at nights, I think of it as something that happens to one, not a style one affects. We're postmoderns because we're not modernists. The modernist writers?Pound, Eliot, Joyce, Stevens, Yeats, Woolf, Williams?spoke with a kind of vatic authority: they were really the last of the Romantics, for whom authorship itself was like being a solitary prophet in the wasteland.
I tend to turn down roles that are too much like me, what I think is most like me anyhow, because I'm me all the time and I'm sick of it.
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