A Quote by Douglas Rushkoff

A society that's addicted to narratives with beginnings, middles, and endings will eventually yearn to end. We just want it to end. — © Douglas Rushkoff
A society that's addicted to narratives with beginnings, middles, and endings will eventually yearn to end. We just want it to end.
Catherine Land liked the beginnings of things. The pure white possibility of the empty room, the first kiss, the first swipe at larceny. And endings, she liked endings, too. The drama of the smashing glass, the dead bird, the tearful goodbye, the last awful word which could never be unsaid or unremembered. It was the middles that gave her pause. This, for all its forward momentum, this was a middle. The beginnings were sweet, the endings usually bitter, but the middles were only the tightrope you walked between the one and the other. No more than that.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. … The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. That’s genius.
Where are the beginnings, the endings, and most important, the middles?
I like colorful tales with black beginnings and stormy middles and cloudless blue-sky endings. But any story will do.
Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster.
Oddly, the meanings of books are defined for me much more by their beginnings and middles than they are by their endings.
I think a lot of people want stories or lives to have very distinct beginnings, middles, and endings. Generally, I think things are a little more fluid than that.
More than just an end to war, we want an end to the beginnings of all wars.
The beginnings were sweet, the endings usually bitter, but the middles were only the tightrope you walked between the one and the other. No more than that.
I have a problem with beginnings... and endings... and middles. But I don't know what else I would do. I find it very, very difficult to write. It takes everything; it's physically and mentally and emotionally exhausting for me. And my neighbours. And my dog.
I'm very happy with where I arrived, both personally and professionally. I can say more so personally, because my career will have to end eventually. I do not know how long it will be, but eventually it will end, and the personal will continue.
People think in narratives - in beginnings, middles and ends. The danger when you edit something too severely is that it no longer makes sense; worse still, it leaves people with the disquieting impression that something is being hidden.
Sometimes love does not have the most honorable beginnings, and the endings, the endings will break you in half. It's everything in between we live for.
The end of 'The End' is the best place to begin 'The End', because if you read 'The End' from the beginning of the beginning of 'The End' to the end of the end of 'The End', you will arrive at the end.
In life, the number of beginnings is exactly equal to the number of endings ... In poetry, the number of beginnings so far exceeds the number of endings that we cannot even conceive of it.
The epic implications of being human end in more than this: We start our lives as if they were momentous stories, with a beginning, a middle and an appropriate end, only to find that they are mostly middles.
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