A Quote by Douglas Rushkoff

I do remember the moment when, as a child, I realized that the things we call 'TV shows' are really just the stuff that gets put between commercials. Later, I came to see that the kinds of things that get on 'free' TV are shows that help sell products.
The first step toward maintaining autonomy in any programmed environment is to be aware that there's programming going on. It's as simple as understanding the commercials are there to help sell things. And that TV shows are there to sell commercials, and so on.
I'm looking to produce more stuff: TV shows, commercials, music videos and short films. I'm building my catalog so I can have some fun in between the times that I get to a movie.
I always did TV commercials and made great money to put myself through school. That became guest starring roles on TV shows.
I think the sheer hell of trying to get a film made; I don't know if it would ultimately be worth it. The sort of format that I have, these TV things, sit somewhere between documentaries and reality shows and entertainment shows and dramas.
I usually just watch YouTube videos or reruns on Netflix of older TV shows like 'Family Guy' and stuff. But I still really want to start watching more TV.
There's a lot of kids' shows that are really popular ratings-wise, but they don't sell a lot of stuff. A character on a backpack just doesn't have the same appeal as watching it on TV.
TV shows and stuff give people in the show business very bad names. I'm not going to name any shows, but a lot of shows.
When we started looking at the bigger television ecosystem, you see that there's not that many serialized TV shows being made for TV. The economics are lousy: They don't sell into syndication well; they're expensive to produce.
For so long, TV consisted of a limited number of shows a year, and those shows had to appeal to as many people as possible. The joy of TV now is that shows don't have to be broad anymore - they can be small, weird, and niche.
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
I spoke English when I moved to the U.S.A. but I had an accent. To get rid of it, I watched a lot of TV-shows and tried to repeat after the tv-hosts. I liked shows about hip-hop.
I always wonder: the images that hit your brain when you're young are so significant, because there's not that much information in your brain. As you get older, things just bounce off. I can remember these minute details of stupid TV shows from the '70s, and I can't remember a book I read yesterday.
I personally think the best ideas for TV shows - at least comedies - are very low-fi ideas. High concepts often sell pitches in movies and TV, but, especially in TV when you're talking about hopefully a 100 or 150 episode proposition, those concepts just burn off, and then you're stuck with nothing.
I have no plans to get an iPad. I know it will do more things than my Kindle, but I don’t want more things. If I want other stuff - movies, TV shows, weather forecasts, the forthcoming Josh Ritter album - I have my Mac.
I majored in criminal justice. I like 'CSI,' all that, '24.' I watch those shows on A&E, if I watch TV. I don't really watch TV shows.
I started finding humor in everything. I used to watch a lot of TV, and I finally figured I didn't need to watch TV to find funny stuff. I just watch the commercials. I mean, the commercials just blew my mind.
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