A Quote by Douglas Wood

But so much of being an actor isn't so great - the auditioning, the rejection, the financial insecurity. — © Douglas Wood
But so much of being an actor isn't so great - the auditioning, the rejection, the financial insecurity.
There was a period where I stopped auditioning because I was like, 'I don't have the heart.' There's just so much rejection.
It's not really an easier racket than acting is. For some reason, I guess it had - the rejection of an illustrator's life is less penetrating than the rejection of an actor's life. So I was able to manage that. But all the while, I still nursed that old dream of being an actor.
One of my heroes is Mr. Sidney Poitier. In his autobiography, "The Measure of a Man," he talks about the difference between being a great person and being a great actor. I'm happiest when I'm acting, and I've dedicated my life to it. Still, as much as I love acting, at the end of the day, I want to be remembered as a great person, first, and as a great actor, second. I believe that acting is a talent while being a great person encompasses so much more: being a good father, a good husband and the ability to show compassion for others.
I'm tempted to say that the top three reasons for hopelessness are rejection, rejection, rejection. But let's cast our net wider. 1) Not being able to write as well as we hoped we could. 2) Not being able to write at all. 3) Rejection.
Being an actor is hard. It's so true... auditioning is literally our full-time job, and then, if we are so lucky to book the project were auditioning for, then that project is our play.
There's acting, and then there's auditioning; mastering auditioning is sort of the first thing an actor really needs to nail down when he or she wants to get a part.
I’d recommend learning to accept rejection. Become friends with rejection. Be nice to rejection, because it’s a huge part of being a writer, no matter where you are in your career.
Being an actor is mostly about rejection and being out of work. It was a fast lesson in all of that stuff.
It's 90 percent rejection, being an actor.
Just coming to L.A. to be a comic and an actor, it's not the kindest world to come to. There's a lot of rejection, which I'm not used to. I hate rejection, but it's about 90 percent of the business.
It's important to keep auditioning. If you're auditioning for something, you're auditioning for a role that people can't see you in and you need to convince them that you're the right person.
Not only was he not mad, but he was a musician, and my favorite men had always been musicians or writers or anything that involved the creative process and behaving like tortured artists. ... I found financial insecurity a great aphrodisiac.
What's monotonous about being an actor and often makes me want to throw in the towel or drive a car off a bridge is the auditioning - the waiting around.
Fundamentally, the solution to economic insecurity is economic prosperity - an achievable goal. But for anyone who has grown up without financial security, there's a shadow that lies over even those who move towards independence: lack of financial literacy.
The best thing we can do with rejection is to make it a learning experience - rejection is a great teacher.
As an actor, you deal with so much rejection and humiliation. When the good things come around, you tend not to trust your instincts.
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