That said, I should also add that I learned a great deal from being allowed in these privileged circles and am grateful for the opportunity to have worked closely with some of the most powerful and successful people in the business including Steven Spielberg and Ted Turner.
I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'
Some of the most important lessons I've learned have been from stumbling, and I am deeply grateful that my parents allowed me to fight my own battles.
My council to Ted [Turner] is that he should watch Fox Business. He'll be elated to find how much substance there is in our news.
[I talk politics with Ted Turner] quite often. Usually with a great deal of excitement, because he has one political view and I have another. Despite our politics,we've agreed to be friends.
I worked with Steven Spielberg on Amistad... he seemed so very secure in himself that he let me do things.
We were thrilled and we were privileged to be part of a revolution, because make no mistake about it, Ted Turner changed the world with CNN.
And don't get me wrong, I've built a life and some great friends and some great relationships in Seattle. But I also learned so much and knowing that there is a business aspect behind it, everything that I have learned, that's something that I hold dear to my heart.
I think all actors have a similar deal. You want some people who understand. Although it looks great - and is great - there are also shoddy moments when you feel really rotten, and when it's going well, you're not allowed to complain.
I am grateful for who I am and who I am not. I am grateful for the life I have been given and for all that I have and all that I don't. Every breath I take is a blessing and an opportunity to fully experience the sheer joy of being alive.
I was 12 when I did 'Super 8,' and when Dakota was 12, she did 'War of the Worlds.' Steven Spielberg was involved with both movies, so we both worked with Steven when we were 12.
Boone Pickens should be commended for his leadership on American energy security, and for bringing Ted Turner along on some sensible approaches to enhancing it.
For some reason, the women in my life have always been extremely powerful. I've learned a great deal from that. I've learned that we're all women when we're complete and we're all men.
Jim Henson once allowed me to visit the Muppets on set and spent an entire day showing me how he and the other puppeteers performed Kermit and all the characters! After that, I was lucky enough to work with both George Lucas and Steven Spielberg on many fun animation projects and learned so much from them.
In our case, one of my earliest experiences working in the company was being asked to be on Ted Turner's board, and I saw that the value creation from owning networks was stunning - new channels, international opportunities, synergy, many things that Turner Broadcasting built for decades.
I was really fortunate from the time I arrived in Hollywood to work with some of the greatest directors from the beginning. I worked with Robert Altman, John Boorman, and of course Steven Spielberg, Michael Cimino, Brian De Palma ... I couldn't pick one of them; they were all different, but they are all so talented.
I wanted to be Steven Spielberg, Tim Burton, Stanley Kubrick, David Cronenberg, Ridley Scott, James Cameron, and Hitchcock. I'd wanted to be a director since 13, and horror and the suspense thriller were the most powerful genres to me.