A Quote by Douglas Wood

I used to love Woody Allen but feel he's become a hack as a director. 'Bullets Over Broadway' is the only film of his I've enjoyed in the last 10 years. — © Douglas Wood
I used to love Woody Allen but feel he's become a hack as a director. 'Bullets Over Broadway' is the only film of his I've enjoyed in the last 10 years.
I love 'Bullets Over Broadway,' but I'm pretty sure Woody Allen hasn't killed somebody.
In this land of unlimited opportunity, a place where, to paraphrase Woody Allen, any man or woman can realize greatness as a patient or as a doctor, we have only one commercial American filmmaker who consistently speaks with his own voice. That is Woody Allen, gag writer, musician, humorist, philosopher, playwright, stand-up comic, film star, film writer and film director.
On this side of the Atlantic, the arrival of a new Woody Allen movie is always greeted with tremors of bliss by filmgoers past the age of 60, with mild curiosity by those in their 50s, with trepidation by those in their 40s, with fear and loathing by those in their 30s, and with complete indifference by anyone younger. An icon to baby boomers, who will never concede that when something is over, it is really over (Clapton, McCartney, Santana, the 1960s), Allen has not made a truly memorable film since Bullets On Broadway back in 1994.
I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly naïve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.
I'm a writer and director, and the movie I've seen a million times is 'Stardust Memories' by Woody Allen, starring Woody Allen and Charlotte Rampling.
Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as "Woody Allen" to me.
I'm a big fan of Woody Allen. I used to love the fact that he wrote his own screenplay and acted in the movie.
I think when you work on a Woody Allen film the actors become a real company, probably more than on any other film.
It took me little more than two years to complete my film, 'Woody Allen: A Documentary.' I conducted hours of filmed interviews with Woody, who put forward no ground rules about questions I could ask, or topics to avoid.
I've enjoyed living in New York for the last 10 years, where there's a real film culture, with the Film Forum and Lincoln Center.
Woody's [Allen] very relaxed with the cast and likes them to do their thing and is not an over-director type. Somehow it works.
Woody Allen was the reason I wanted to move to New York City and one of the reasons I wanted to make films. I felt that I understood his films, and I love them so much. When you're starting out, certainly, you have this sense of wanting to talk back to people who have influenced you, and I always wanted to talk back to Woody Allen.
I grew up watching his movies; I know everyone did, but I really feel that a lot of my formative years were informed by Woody Allen films.
What if Woody Allen called me and said, I'm working on this movie and there's a really divine role for you. We want exactly you! It would be such a fantasy. Forget it! My idol, Woody Allen!
It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
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