A Quote by Dougray Scott

Method acting is a label I don't really understand, because there's a method to everybody's acting. — © Dougray Scott
Method acting is a label I don't really understand, because there's a method to everybody's acting.
I read all the books on Fairfax in the British Library, did a lot of horse riding and studied military tactics of the time, finding out that he actually laid his rose garden out in strategic formations! But Method acting is a label I don't really understand, because there's a method to everybody's acting. In terms of jumping into a character's skin, I try to immerse myself in the role as much as possible to bring me closer to them. All I do is what's required to achieve what I want to achieve.
I consider myself a method singer, not a method actor. I applied method acting to singing.
I think people have a misinterpretation of Method acting, because Method acting is a wonderful thing. The thing is, if you take it too seriously, it's like religion. You start to think it's the truth. But it's not the truth. It's just a way to get somewhere.
No one is really a method actor, everyone has their way of going about it, preparing for it, but method is preparation, it's what you do to prepare. So my method is to read the script. Some actors' method is to read the script a hundred times and in the doing of it, to immerse themselves in as much of the reality as possible. Me, I believe strictly in acting. If I am out of breath, I'm out of breath. I ain't running nowhere.
Most American actors are taught the Stanislavsky method... Method acting, but I really think that as an actor you have to develop what works for you. There is really not one way of doing anything. There are many ways of achieving the same goal.
I've always done method acting. I'm a method actor, and I've done that for years. I never did acting and decided to take it seriously because all the parts people want me to do were playing the pretty role. If I want to play someone pretty, I'll play myself.
I think there's a real connection between acting and writing novels because the way I write characters has a little bit to do with the method acting that I was taught in high school and college.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
There's no such thing as The Method. The term 'method-acting' is so much nonsense. There are many methods, many techniques.
I am proud to say I'm a director's composer. People do method acting, I do method composing. I like to get into the skin of the character and go deep into the director's vision.
There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life.
'Whatever it takes' is my opinion of method acting and, indeed, any other kind of acting. Look at Brando and De Niro. But it's not my cup of tea.
Acting has helped me understand people, not only because you are acting as a character, but also because you are watching other actors work. That really helps you identify in life when someone is acting, not being true.
Method means primarily a way or path of transit. From this we are to understand that the first idea of method is a progressive transition from one step to another in any course. If in the right course, it will be the true method; if in the wrong, we cannot hope to progress.
Modern acting is method acting, most of it. And there are sort of different schools, so I guess I'm not really from one school or another. I had a number of different teachers but they were all kind of drawing from the same pool, which is - What do you want? What are you doing to get what you want? And, what is in the way? These are basic acting questions. Knowing the answers to those questions. So you're talking about objectives and actions and obstacles. That's a sort of shorthand that gives you a language.
When Def Jam wanted to sign Method Man, they wanted to sign Method Man and Old Dirty. And Old Dirty wanted to be on Def Jam - everybody, that was like the dream label. But if I had Old Dirty and Method Man on Def Jam, that's two key pieces going in the same direction, whereas there's other labels that needed to be infiltrated.
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