A Quote by Dov Davidoff
Sex sells, but doesn't work so well as a strong-arm tactic. Give me your purse or I'll make out with you so hard.
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I've always been honest with all my kids. So I - if they did well, they did well. And if they didn't, actually, I asked, did you try your best? And if they tried their best, then, you know, I back out because I expect them to be honest with me or with themselves. And I can't make you go out there and work out hard.
Your dad would stake me out to freeze if I let you fall and hurt yourself." He offered me his arm, which I latched onto gratefully. "He wouldn't stake you out," I panted as we forced our way through the hard top layer of snow that was almost thigh deep. "He'd just shoot you." "Well that's a comfort.
You just have to work really hard and throw everything into it. ... It's really hard to be an artist, and even if you do work really hard, there's no guarantee about anything. There's no advice you can give someone that things will somehow work out, but you can talk to people about how they can make art a big part of their life.
Take a coin from your purse and invest it in your mind. It will come pouring out of your mind and overflow your purse.
It's not my style to either wear minimum clothes, to strip, or to even be comfortable with a sex-symbol label. I just want to do good work instead of sporting such meaningless tags. Sex sells, but to a small extent, not always. And this is what filmmakers have to accept.
The tactic of leading people into... a war that doesn't make any sense by telling them they are under attack, and if they raise any objection they're unpatriotic, is a very old tactic. And it doesn't intimidate me.
I'll work with a director if I think I'm going to get into a comfortable situation, and if it's someone I respect and who respects me, even if they're not so well known. Movies are hard to make, and you have to work toward a common ethic and do your best.
I would never want to take away the option of sex work from someone, but I would want to create more options so that everyone can make the decision whether they want to do sex work or they don't want to do sex work, and that people who do sex work can do it safely.
The reason I introduced sex - or erotic imagery - to Purple is not only because I don't want sex to be hidden but because also I consider it as an extension of fashion, the way the body expresses seduction and beauty. It's very artificial to put sex in a ghetto. Plus, sex sells.
Be strong: we are not here to play, to dream, to drift, we have hard work to do and loads to lift, shun not the struggle, face it, 'tis god's gift. Be strong: say not the days are evil - who's to blame! And fold your hands and acquiesce - o shame! Stand up, speak out, and bravely in god's name. Be strong! It matters not how deep entrenched the wrong. How hard the battle goes, the day, how long! Faint not, fight on! Tomorrow comes the song.
Your agent should be invested in the success of your book past the contract stage. After all, if it sells well, she's going to be getting 15 percent of every dime you make. She can be your best advocate in fighting for your book - not just with editing and the cover, but with marketing and sales as well.
Simplicity is a great virtue but it requires hard work to achieve it and education to appreciate it. And to make matters worse: complexity sells better.
I can't stand Beyonce. The way she sells it so hard, constantly. Everything is shoved right in your face. Like, you don't have the sense to make a judgment of your own.
Lord, I lean on You alone for strength. Give me your arm to support me, your shoulders to carry me, your breast on which to lay my head, your Cross to uphold me, your Eucharist to nourish me. On you Lord, I shall sleep and rest in peace.
I'm Kan, the Louis Vouitton don / Bought my mom purse, now she Louis Vuitton mom / Still might throw on a little low arm they want me to stop go on gon / They don't want me to shop and me spending that hard / Oh My God is that a Black card / I turned around and replied why yes, but I prefer the term African American Express
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
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