A Quote by Dove Cameron

'Liv and Maddie' didn't start out as a twin show. I actually played a different character in the beginning, and it was neither of the twins. — © Dove Cameron
'Liv and Maddie' didn't start out as a twin show. I actually played a different character in the beginning, and it was neither of the twins.
'Liv and Maddie' actually started out as a different show called 'Bits and Pieces,' and it was a completely different plot, although it was the same cast.
Right when 'Liv and Maddie' had started, there was no roadmap for how to do a show where one girl played two. It's just not something that is often done, so we had nothing to refer to.
My writers on 'Liv And Maddie' have started a running joke to try and sneak as many 'literally's into the script as they can to throw me.
I was much distressed by next door people who had twin babies and played the violin; but one of the twins died, and the other has eaten the fiddle, so all is peace.
I was much distressed by next door people who had twin babies & played the violin: but one of the twins died, & the other has eaten the fiddle — so all is peace.
One of my favorite things about working on 'Liv and Maddie' is the creative environment that has been designed for us by our lovely director, producers, and writers.
'Liv and Maddie' is very near and dear to my heart. I'm very proud of it.
When I was 13, I moved to Los Angeles to pursue television and film roles. I booked shows like 'The Secret Life of the American Teenager,' 'Liv and Maddie,' and 'Teen Wolf.'
I actually reached out to my agent about appearing on 'The Good Wife.' The main character of the show went to Georgetown and that's where I played my college ball so there's a small connection.
My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew: the people that I spend almost every hour of every day with.
This medical device gives doctors a new option for treating twin-to-twin transfusion syndrome. It can help prolong the mother's pregnancy and improve the odds of survival, with reduced complications, for one or both twins.
I recently did a play, Athol Fugard's 'Coming Home' at Long Wharf Theatre, where I played one character throughout - I sat at a table and didn't have any costume changes. Following one character's arc from beginning to end is a whole different mindset.
That song [ "Proud of your boy" ] in particular, I sing towards the beginning of the show [Aladdin], and what it does is show his wants and needs at the beginning and what's motivating him and carry it throughout the show. It gives him layers and dimensions. He's a well rounded character and it's great.
When you first get out of doing a show for a long time where you played a teenager, casting directors and producers all still look at you as being the character that you played for so long.
We poured our whole hearts into 'Start Here,' and I cannot wait to just show our fans the whole Maddie & Tae spiel.
There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.
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