A Quote by Doyle Brunson

We never talk about gambling around my house. — © Doyle Brunson
We never talk about gambling around my house.
The thing about online gambling is that it's never away, it's always accessible. And so, if you have an issue with gambling, it's designed to take advantage of that.
This was my first lesson about gambling: if you see somebody winning all the time, he isn't gambling, he's cheating. Later on in life, if I were continuously losing in any gambling situation, I would watch very closely.
I have a good Muslim friend who comes over to my house. Good guy; reads the Qur'an in Arabic. He comes over to my house and we talk about faith and we talk about things we have in common, but I can't shy away from the differences that we have. So I talk about why I'm not a Muslim and about the evidence that exists that show Christianity is true.
Language is remarkable, except under the extreme constraints of mathematics and logic, it never can talk only about what it's supposed to talk about but is always spreading around.
It's always hopeless to talk about painting - one never does anything but talk around it.
When you talk about gambling and the euphoria that comes with it, making winning picks is what excites you.
When you face a creative change at the house, you have to start a dialogue, and talk with the designer about how he envisions the brand to make sure that you're on the same page. It's the way the designers talk about the brand, and what they see, and their emotions, how they perceive the house.
There's obviously a lot of controversy around the issue of hunting as there is around gambling, and I like these stories where there is a moral dimension, stories that force you to think about your prejudices about a subject and explore the extent to which they are justified.
Whether you talk about the olive oil, whether you talk about Aceto Balsamico, whether you talk about Grana Padano, whether you talk about Mozzarella di Bufala. These are all traditional Italian products that are hard to beat, and they're easy to transport and buy. You don't have to do much around it. Just eat them.
Let’s talk, you and I. Let’s talk about fear. The house is empty as I write this; a cold February rain is falling outside. It’s night. Sometimes when the wind blows the way it’s blowing now, we lose the power. But for now it’s on, and so let’s talk very honestly about fear. Let’s talk very rationally about moving to the rim of madnessand... and perhaps over the edge.
I end up feeling like a spy in the house of ethnicity, you know? Because people will talk around me as they would talk around the people in their cultural group. So I get to hear all the secrets and jokes and you know, I'm a part of every community because of the way I look.
I never talk about my money! It is interesting how awkward it is to talk about it, even though I talk about it in the abstract every day.
These sociologists who talk to facilely about the sacred are like a man who keeps a toothless old circus lion around the house in order to experience the thrills of the jungle.
I've always been very shy and sheltered; I think it was a good way of starting to communicate with people. I was taught as a child never to talk about myself, never to talk about my emotions. Of course, now I talk about myself constantly. Now I have to take reverse est.
I felt when I was gambling that the house always wins, and it was always like, how can I become the house? But when you're a band, you are the house because you can write the songs, you can wear your own clothes, you can pick where your show is. I can choose my own cards, basically.
I was kind of unfriendly and suspicious of everyone around me. I didn't talk until I was about 15. It's a kind of famous story at my house.
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