A Quote by Doyle Brunson
May the flop be with you.
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Nonviolence is a flop. The only bigger flop is violence.
Marcus Smart - I love playing against him because he takes defense as seriously as I do. I don't flop, though. People are always telling me I need to learn to flop. Nah.
Hold'em - like life itself - has its defining moment. It's the flop. When you see the flop, you're looking at 71 percent of your hand, and the cost is only a single round of betting.
Unfortunately in Bollywood, if your film is a flop, your acting is considered flop too.
I typically don't bet out on the flop because I've been in the business of trapping my ultra-aggressive opponents so much that I've simply forgotten the benefits of a simple flop bet!
I prefer to remake flops. Dirty Rotten Scoundrels was a remake of a flop, and The Quiet American is a remake of a flop.
In cash games, you're apt to see more players staying in to see the flop. If you have a hand worth playing, your best options are to either limp in or make a slightly larger pre-flop raise to build the pot and narrow the competition. A raise of four times the big blind should do the trick.
I feel that, irrespective of a hit or flop, there's always pressure on an actor. When you give a flop, there's a pressure to ensure that the next film works, and when you give a hit, you want to keep it going. So, the pressure of success and failure is always there, and that's what keeps me going.
I guess the thing about exposing your heart is that people may not even notice it. Like a flop movie. Or they'll borrow your heart and they'll forget to return it to you.
'Howard the Duck!' That's a really interesting movie. I appreciate my career, because I've had a lot of very interesting ups and downs, and most people... That movie is such a famous flop. In a land of a lot of flops, it's kind of awesome to be in a really famous flop. I mean, it's kind of a poster child for flops.
Howard the Duck!' That's a really interesting movie. I appreciate my career, because I've had a lot of very interesting ups and downs, and most people... That movie is such a famous flop. In a land of a lot of flops, it's kind of awesome to be in a really famous flop. I mean, it's kind of a poster child for flops.
As the book writer for one big smash and one big smelly flop, I always wondered if anyone knows just what goes into making a great musical. When a show is a hit, the critics trip over themselves not knowing who to laud and applaud the loudest. It's that marvelous score, those urbane lyrics, that irreplaceable star. But only when a show is a flop, does anyone notice the book writer. And then it's always our fault.
I may not be funny. I may not be a singer. I may not be a damn seamstress. I may have diabetes. I may have really bad vision. I may have one leg. I may not know how to read. I may not know who the vice president is. I may technically be an alien of the state. I may have a Zune. I may not know Excel. I may be two 9-year-olds in a trench coat. I may not have full control of my bowels. I may drive a '94 Honda Civic. I may not “get” cameras. I may dye my hair with Hydrogen Peroxide. I may be afraid of trees. I may be on fire right now. But I'm a fierce queen.
So to recap: we may or may not be going to war with Iraq because Saddam may or may not have weapons of mass destruction, which he may or may not use, or pass to other terrorists groups with whom he may or may not have links.
I think the main thing is: Just do it. Plunge in! Being Canadian, I go swimming in icy cold lakes, and there is always that dithering moment. "Am I really going to do this? Won't it hurt?" And at some point you just have to flop in there and scream. Once you're in, keep going. You may have to crumple and toss, but we all do that. Courage! I think that is what's most required.
A flop is often the result of the fact that each of the talents involved, while working on the same project, may in effect have been working on a different show from all the others. If all contributors do not share the same vision of the evening, the end product will not evince the harmony of diverse elements-the seeming inevitability of book, score, and staging-of a good musical.
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