A Quote by Doyle Wolfgang von Frankenstein
My first influences for playing were Johnny Ramone and Jimmy Page, the same as everybody else. Joe Perry. The guys in Alice Cooper's band, whatever their names were. Mick Ronson from David Bowie. You know who really influenced me to write songs? Iron Maiden.
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Bowie's 'Hunky Dory' influenced me. 'Ziggy Stardust' influenced Johnny Ramone a lot, especially his guitar parts.
I didn't love David Bowie. Sure, I loved a lot of his songs, like everybody else, and, like everybody else, I had an incarnation of Bowie that I loved best - in my case, the solemn 'art-rock' Bowie of the late Seventies.
We used to rehearse and that's where the roots of Dream Theater formed. Y'know, we used to play cover songs and jam to [Iron] Maiden and stuff but we were writing songs and it was this metal, loud style and we'd constantly get knocks on our door, because the rehearsal rooms were right next door to each other, and these jazz guys would be like, "Can you guys turn it down a little?"
When I was a very young kid, the first music that really turned me on was a new wave of British heavy metal - big, dumb rock music. There was a band called Diamond Head - they were basically the band that inspired Metallica. But I also liked bands like Saxon and Iron Maiden.
My biggest inspiration was always early Iron Maiden, because it was the only band I knew for some time, and, as we all know, Iron Maiden is great.
I don't think we ever sat down in the early days and said "hey lets be a band that wears make up". I think it was just natural for us. We grew up loving stuff like Alice Cooper, Kiss, The Misfits, and the more theatrical stuff. I always loved rock stars. I loved David Bowie and Freddie Mercury, and these people that were larger than life and iconic. I think that is what we always wanted to do.
All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
David Bowie is my biggest inspiration. Pretty much the only thing that stayed the same with Bowie was his eyes. Everything else constantly changed, from his sexuality to his songs.
I always kind of divided the gay guys I met up into two groups when I first started coming out. There were the guys who thought there was something fundamentally wrong with them and hated themselves and were so burdened with shame and internalized homophobia. It just really paralyzed and shredded them. And then there were guys like me who thought, "I'm fine, everybody else is crazy. My church is sick and the family's crazy, but me? I'm fine."
I was in Hollis' band for eight years, playing drums. At one time we had Barry Beckett, Jimmy Johnson, David Hood - everybody but Roger Hawkins. We had a hell of a band.
We were about ready to go out on the road with Maiden, and Kerrang asked us to do an Iron Maiden tribute song. While we were home, we recorded that. And that was it.
When I write with Maiden, then I write only with the guys in Maiden, we don't do songs from outside people.
Some of the best rock riffs ever written were by Jimmy Page, and I can't really name the songs, but some of the stuff he did on his first and second records is beyond brilliant.
I never really saw my dad around when the Iron Maiden and the AC/DC were playing. But he knew what I was doing. I was just absorbing music. So he just kind of left me to my own devices.
My songwriting is very personal. The music that influenced me was so impactful that had I grown up somewhere else, I know I would still write the same way I do because of those influences.
I don't know if it was related to the type of music that we were doing at that time or what, but Todd Cook actually just turned to me and was like, "You know what would be a great name for a metal band? Dead Child." We talked half-jokingly that we were going to do a band. I guess as time went on, I started writing songs that were more metal sounding, and it just evolved from there. It actually started with the name first, and then the songs came second.
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