A Quote by Dr. Dre
The race factor was just a minuscule part of what I was doing with Eminem. It was really about the music and how well we worked together.
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Doing a film with your friend is probably the best way to end that friendship but we worked together really well. We just have that thing. Chemistry is something that... I just think it is the last thing in Hollywood, the last magical thing they haven't computerised. There's nothing you can do about it - it's either there or it's not and it doesn't matter if you're friends or not. It was just a bonus that we were.
The design of the Mac wasn't what it looked like, although that was part of it. Primarily, it was how it worked. To design something really well, you have to get it. You have to really grok what it's all about. It takes a passionate commitment to really thoroughly understand something, chew it up, not just quickly swallow it.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
The truth is the music is really an incredible personal part of the movie. When I was drawing the storyboards for Watchmen, I had just gone to my iPod and was grabbing music. It took me about two weeks to really put my playlist together. But once I had it, I kinda just put my headsets on and drew for five months. But that music's the music that's in the movie.
Constructs like race will decline in relevance in a roboticized world. That how well one human subset or community - a race, a nationality, a religion - is doing will be secondary to how well humanity in general is doing in face of the robot revolution.
Antoine and Sahara Davenport were really able to help me learn about drag. We really fed off each other. Together, we just clicked. We were both part of 'RuPaul's Drag Race,' so we both got to go through this experience together.
One of the things that's beautiful about New Orleans is how culturally rich we are and how well we have worked together. People call us a gumbo. It's really important that we get focused on the very simple notion that diversity is a strength, it's not a weakness.
But I also enjoy music outside the band. I've been doing production for other people, including Robert Wyatt. Check him out. The album we did together, 'Rock Bottom,' I think it's really lasted well. It's a 35-year-old album, but it worked.
Well, the hard part about doing auditions is that the person reading you the lines, they're not really into it. They're just going, 'Oh really, so why do you think that?' And they're just looking at a piece of paper.
If you actually understand and listen to what he's saying, there's no one that can compete with Eminem. That's why no one goes at Eminem because everybody knows Eminem is just, he's too good in a rap battle.
I got Twin Peaks, and the part was basically written for me, which was a really big shock. I think everything really changed with the right teacher coming together, but before that I worked with Sondra Seacat; she's amazing and very spiritual, but I hadn't worked with her on specific roles. I just was in classes with her.
I'm really, really into the rave scene and just kind of how people come together and how it's just music and just love.
I think it went really well. There was part of me that really wanted to go with the rabbit. But, honestly one thing that I struggle with a lot is really just competing...being in a pack, running with a lot of bodies. I'm 17 and I'm still not really used to it, so the goal today was to just race.
Look how Bill Cohen and George Mitchell worked together. It's the stuff of legends. And now it's the stuff of almost ancient history, regrettably, but the way those two really worked together.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
Well, the infrastructure part of the stimulus has worked. There's absolutely no question about it. We can demonstrate in Pennsylvania and other states around the union how it's produced good, paying jobs both on the construction sites and back in American factories. It has worked.
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