A Quote by Dr. Dre
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
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Nick, You know, The first guy I met when I first got to Seattle, As an eighteen year old, You took me in. You believed in me from the beginning. You knew that I had potential. And every single day I know I could look at you And know that you respect me As a man, As a player, And you gonna ride with me to the end. I thank you.
The last time I seen Eazy-E, we were at a meeting at the House of Blues with me, Big Hutch and Jada Pinkett Smith talking about shooting the Kalifornia video. Eazy was coughing real bad at the table and had to be excused a couple of times. EAZY-E never did tell us he was sick bad, but we knew. 2 weeks later, our beloved brother passed. I guess that was Eric's Wright way of saying, don't feel sorry for me, everything will be alright.
A guy wrote a blog, way back when the Internet first started; the comments were so negative that it actually stopped me doing music for some time - about two, three years. It was after this one hip-hop project - Redfoo and Dr'Kroon. I wasn't used to it. I didn't like it. It lowered my self-esteem.
My first job was actually as a social worker. And then later, I got my PhD in anthropology. And I've always been interested in humans as well as primates. We are all kind of have the same emotions, the same goals and lives really. But to me, when I first got to Madagascar I realized that the lemurs lives are very closely related to what the humans are doing; partially because they've got both looking for natural resources. And if we can make some way that both humans and lemurs can live together peaceably and happily, that would be my goal for Madagascar.
The love is so powerful that both people have to surrender. I think that's the funny thing about dating somebody for the first time, it's kind of a question of who wears the pants, or who's gonna text you first, how much am I supposed to put myself out there, and it makes you feel a little bit crazy. But at the end of the day, it's not about that. And if it's the right person you don't have to worry about that.
One day, we were going to the studio for John's recording session, and as we were leaving to get to the studio, in the elevator, all of a sudden, John leaned over and gave me a kiss. He said, 'I've been waiting to do this all day.' I said, 'What are you talking about?' What happened was, he'd liked me.
I was in Rome this time for about three or four months, and I feel like, by the time I left, every single person in Rome had seen me at least 10 times riding my bicycle. When I first got there, it seemed like people were happy to see me and would say hello. And by the end, they were kind of bored of seeing me. And it was like, "Ugh, there he goes again".
Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.
My first big one-person show was basically a combination of my family, me during puberty, embarrassing newspaper articles that were written about me in high school, my first modeling photos, and terrible things that people said about me on the Internet.
When I first got started, I used to say I just want to stay in the studio, I want to make good music, I want to sing my heart out, and I didn't think I'd have people following me to a grocery store or following me home or stuff like that.
So I was first exposed to this guy Tim McCarthy, and he's talking about Zen, but deeper than that he was a genuine person. I thought maybe he's someone I can trust and follow this thing he's talking about all the time.
People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.
Autobiography is awfully seductive; it's wonderful. Once I got into it, I realized I was following a tradition established by Frederick Douglass - the slave narrative - speaking in the first-person singular, talking about the first-person plural, always saying 'I,' meaning 'we.'
Eazy-E was the person to take me on my first tour, and there was nobody telling him to do it.
I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.
I just remember one girl really getting me on the field and beating the holy crap out of me. I never to this day know why. And then people used to be funny because we were on welfare. People used to make fun of you. But I used to get school dinners so I thought it was great, I got a hot meal every day.
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