A Quote by Dr. Dre
I don't make records so I can sit down afterward and listen to them. I make them so other people can sit down and listen to them.
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Imagine if somebody were to really sit down with Osama bin Ladin and say, 'Listen man, what is it that you're so angry at me about that you're willing to have people strap bombs to themselves, or get inside of airplanes and fly them into buildings?' That would be the miracle if we can get, sit down and talk to our enemies and find a way for them to hear us.
One of my favorite things to do is sit around and listen to old records... You're forced to listen to the whole thing. And it's so cool digging through the bins trying to find them. I get giddy about records.
A lot of them are afraid to sit down and break their position. You should be able to make it so natural that you can just get out, and sit down and walk away from it, and there's nothing wrong with that.
I like to put a record on and then listen to it again and then sit down and make my friends listen to it.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
It is always necessary to overstate a cast startlingly to make people sit up and listen to it, and to frighten them into acting on it.
They have what you call a black night where they have black people come in for just one night only to watch comedy, and you get all your local drug dealers, thugs, prostitutes, all of them come in, sit down, and listen to you tell jokes. They the hardest people to make laugh.
I don't listen to music a lot in that I rarely sit down and put on a CD because I really want to treasure the silence that is there when I'm not practising. But when I listen to a piece, I listen to it often.
I know that people don't listen to music much in the way when they'll put on a CD, sit down, have a drink or go on a car journey. People pick and choose and just listen to tracks. But when I make a record, I try to think about it as a 50 minute musical journey, so the mood is very important, as is the sequence of the songs.
Talent allows people to stand out, but their wrong choices make them sit down.
I wanted to make an album that I wanted to put on myself and could listen to again and again. In the past I've done these records that are very in-depth. I love them and I'm very proud of them but I've always found it hard to listen to them again and again...they're very demanding.
When you sit with people you love, if you say something stupid, they call you on it - because they're honest with you and they're making you better. That's what we're as couches going to have here with our players. We're going to have an honest respect for one another, to make everyone maximize the potential they have. I expect the players to listen to me, and I'm going to listen to them. We've got to make each other better, and it's the way to create safety, because the players know you've got their backs. When you tell a player what you want, he will try to please you.
I understand what's going on, and when I see the fervor, when I see 25,000 people that have seats and not one person during an hour speech will sit down, I say sit down everybody, sit down, and they don't sit down, I mean, that's a great compliment but I do understand the power of the message. There's no question about that.
If you can get conservatives to sit down for 20 minutes and listen to you on drug policy reform you might have a good chance to - if not convert them - at least respect your opinion.
But I like to listen to demos. I like to hear the finished product. It's like listening to a song - I mean, a story. If you're going to sit here and tell me a story, I just like to listen. I don't want to make them up.
And there was that letter from the Bramleys—that really made me feel good. You don’t find people like the Bramleys now; radio, television and the motorcar have carried the outside world into the most isolated places so that the simple people you used to meet on the lonely farms are rapidly becoming like people anywhere else. There are still a few left, of course—old folk who cling to the ways of their fathers and when I come across any of them I like to make some excuse to sit down and talk with them and listen to the old Yorkshire words and expressions which have almost disappeared.
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