A Quote by Dr. Dre
Wreckin' Cru was a DJ crew. They used to call it that because it was the guys that came in after the party was over and broke down the equipment. We eventually made a record, and we had the costumes on and what have you. Back then, everybody had their little getups, you know, like SoulSonic Force, UTFO.
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Me and Dre did all, from Wreckin' Cru to Ruthless, all that. We started making songs first... back then it was the slow songs, techno, whatever they called it back then. 'Planet Rock,' that kinda stuff.
I think there's a lot of, unfortunately, unfunny ventriloquists out there, so they've got a bad rap. It came after Edgar Bergen because everybody had a little cheeky boy dummy like Charlie McCarthy, and everybody decided to become a ventriloquist because Bergen had popularized it. He brought it back from the doldrums of vaudeville.
My dad had records, but only one deck, so Skep used to try and play a song on one deck - the Music Centre we used to call it, a cabinet with a glass door - he would play one tune on the record and then mix the tape to it, that's what he used to like doing. He became a DJ.
The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.
And we had a DJ - my childhood friend from Chicago came to be the DJ at our party out in LA. It was a party, rockin' and rolling, and it was dancing and fun. For me it was different; just to have family with us.
Because after my first year I had a lot of success, took everybody by storm, came back the next year thought it was easy and didn't have near the season I had the previous year. It was kind of a wake-up call. And so, life goes on.
Swishahouse, it started off as just a crew making mixtapes and that's when I got down with it back in like 1998. It wasn't a record label at first. It was all just for promotion, for fun, and we just had a crew representin' for our hood.
My brothers used to call me Bob. They'd laugh at me, and I didn't get it. I'm 13 years old at the time, and then one day my brother's friend says, 'You know what Bob stands for? 'Booty on back.' You're fat.' Like my butt was so big I could reach for my wallet over my shoulder. And I broke down.
It used to be that if you had a pretty good record, you could stop by a station in Little Rock or Atlanta and let the DJ listen to it. No way something like that can happen now.
I used to live at the Cecil Hotel, which was next door to Minton's [Playhouse]. We used to jam just about every night when we were off. Lester [Young], Don Byas and myself - we would meet there all the time and like, exchange ideas. It wasn't a battle, or anything. We were all friends. Most of the guys around then knew where I lived. If someone came in Minton's and started to play - well, they'd give me a ring, or come up and call me down. Either I'd take my horn down, or I'd go down and listen. Those were good days. Had a lot of fun then.
I think the first big chance I ever got was I was one of the opening acts for UTFO and 'Roxanne Roxanne,' that whole thing. And I come on stage, it's like 5000 people in the Oakland convention center, I'd never had a record in my life, I'd never had anything in a record store.
As a matter of fact it wasn't until after BIG passed and stupid rumors went around that I had something to do with it, and it's like I'm not a killer man , I'm a musician, I'm a DJ we got like a different heart. Ya know back then when rappin' was fun, and we could immolate being gangstas; ya know Dr. Dre made the hardest gangsta rap records in the world, that didn't necessarily make him a gangsta. It was all like ya know : character, we were all in character.
To me, the whole thing with the roots of rap music was when the DJ had to supply all the music for the group with two turntables. And the whole criteria of what that DJ would use had nothing to do with what type of band made a record.
I couldn't afford to go to the record store to buy new tapes, so I'd tape everything off the radio. Just hit record when my song came on. I used to take my mom's tapes and tape over them. I had a nice little collection. Had my own Stephen Jackson mixtapes off the radio!
I learned to play guitar on my lying back while I was bed-ridden. I only thought to record the songs because sometimes I would I couldn't remember what I had just done. Eventually I started singing, because I thought if I sang it that would help to remember even more. But I wasn't trying to sing. And then one day-this is really weird -I just wrote a song. It came out at a rapid rate and I recorded it and I listened back to it and was like "Wow, it's a tune."
I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
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