A Quote by Dr. Dre

I like working with new artists. — © Dr. Dre
I like working with new artists.
Somebody approached me about working with Michael Jackson, and I did say no because I like working with new artists or people that I've worked with in the past. I can develop them from the ground up. There's no set standard that I have to live up to or anything like that.
When I first started blogging, it was about getting out new music and capturing artists working in the studio. This was before artists were so social. They weren't so hands-on then.
As a new artist, you come out, and there are so many other new artists. It seems like there's a whole wave of new artists that come along every year. In '05, I was part of the crop. It was a lot harder trying to set myself apart from the rest of the pack.
I would like to see myself with some successful albums, and I'd love to be working with new artists as well as continuing to release my own material. I'd also like to be settled in a lovely place with a lovely partner and gorgeous mini ginger Jess!
When you are new and working with senior artists, it is their responsibility to make you comfortable.
The music business is a place where the artists are all treated like we're working for the people who are working for us. That can obviously be exaggerated when you're a female.
The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
A lot of new artists, especially girl artists, feel pressure to be so 'media perfect' and 'trained.' I'm intelligent, but I don't like hearing regurgitated answers in interviews that sound so rehearsed.
My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.
While working for Diplomat Records, I helped several artists with their online branding and social media. Once I left the label, I worked directly with artists and noticed many artists were overlooked and underrated if they weren't in 'XXL' or 'The Source.'
I'm constantly working on something new, whether it's a Garbage song, or for someone I'm producing or a song for film or TV whatever it is. I guess I'm sort of living in the moment and moving towards what I'm doing next. I think most artists are like that.
I don't know if there are artists out there who love their own records. I haven't met any, and I'm kind of extreme in the other direction, but therein lies the impetus to keep working and keep making new songs and new records.
The Internet is a big reason I've been successful so far. It's working for a lot of new wave artists, which I consider myself a part of.
There's artists that I'm working with on a new label of mine. Foxy Nova and Supa Nova.
Jhene Aiko, I like Zara Larsson, I like working with female artists.
I feel like I've been training my entire career for this moment in a lot of ways. So many artists just want to draw Batman, and I'm getting the opportunity to do the backups in a brand-new Scott Snyder project that has so many artists.
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